So many of the tracks, such as "Kiss Me When You Come Home, "and "Make it Out Alive," are uplifting and positive, with messages of requited and unconditional love. Even "Thinkin' 'Bout Somethin'" which is essentially the story of one who was scorned in love but ready to move on is in its own right uplifting. How could it not be, when the music video is largely made up of a diverse group of people dancing in the streets? Many of the tracks feel related to ska, with up-swinging beats and fanfare brass. Others are a throw-back to the "Mmmbop" pop, Coke commercial atmosphere; a have fun and let loose "Musical Ride," that's impossible to ignore. One of the album's highlights (and there are many), lumped in the middle of the track list is "Use Me Up," a lover's lament of sorts, begging for attention, because "nothing can be worse than numb." Every song evokes an emotion, a feeling that can only come from good writing and good music.
Shout It Out succeeds on so many levels. The lyrics and musicianship are undeniably genius. Their music, particularly this album, has such an authenticity. In no way does it feel manufactured. Pick up the liner notes and you'll read "Produced, Written and Performed by Hanson;" that's a rarity in this era of music. The album shows so much growth, both in the stories they tell, and in the music. Horns were almost nowhere to be seen on any other Hanson album, but they run rampant through this one, showing the band's willingness to try something new. That's evolution. Shout it Out is an exclamation and a declaration; this is real music, SHOUT IT OUT.
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Published by Maria Kovacs
I have a BA from the University of Maine Farmington. I love writing, reading and being with the people I love. I live in one of Maine's urban-most cities, which affords me cultural experiences and lots of fu... View profile
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