Two less common mechanisms of word change are semantic strengthening and semantic weakening. Strengthening and weakening have to do with the force of word meaning, with its intensity. Weakening is a much more common process than strengthening. In A Biography of the English Language (HBJ 1988, pp 181-182), C.M. Millward explains why: "In general, strengthening is rarer in language than weakening-evidence that people are more prone to exaggeration (which tends to weaken meanings) than to understatement (which tends to strengthen meanings)."
Examples of semantic strengthening include: appalled, which had an original meaning of "feeble" and "pale" until the early 16th century, when the more intense meaning of "deeply dismayed" and "shocked" appeared in the work of Sir Thomas More; jeopardy (< jeu parti), which shifted from "even chance" to "risk" to "danger"; wreak, which gradually shifted from the milder meanings of "push" and "urge" to the gloom-and-doom connotations of havoc, damage, destruction, and revenge. (Notably, this stronger meaning of wreak developed as late as 1817, when it is first recorded in the writings of Shelley.)
Examples of semantic weakening are numerous: The verb quell originally meant "to kill" (Old English cwellan) and now means "to subdue" (as in quell fear, doubts, or opposition). The adverb soon (Old English sona) used to mean "straightaway", but then the element of procrastination seeped in and weakened the immediacy of the original meaning to a milder "in a short while". The original meaning of fret was "to devour" (cf. modern German fressen) before it weakened to mere fretting and worrying. The Old English ancestor of the verb spill (spillan) meant "to destroy, to kill", i.e. "to shed blood". Then, through the process of weakening, the meaning of spill shifted from spilling blood to a much less gruesome kind of spillage (as in spilling milk).
Finally, let's consider this line, spoken by Portia, from Shakespeare's "The Merchant of Venice":
So shines a good deed in a naughty world.
The word naughty is used here in its original, stronger meaning of "immoral" and "evil". In Shakespeare's time (and, regrettably, to this day) there was evil in the world, and it is to this evil that Portia refers. The weakened meanings of naughty ("disobedient", "improper", "sexually suggestive") do not apply in this context.
Sources:
Merriam-Webster Online: http://www.m-w.com
A Biography of the English Language by C.M. Millward (HBJ 1988)
Shakespeare Online: http://www.shakespeare-online.com
Published by Branwen66
In omnibus requiem quaesivi, et nusquam invenii nisi in angulo cum libro. (Thomas à Kempis) View profile
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19 Comments
Post a Commentsorry, i meant to type "why" not "while"
This may be while Shakespeare is so hard for some to grasp ... the word meanings have changed. Great article!
It is strange to me how words change over time; although, I know they do. The word bad for instance now to young people means good. "That's Bad", when us old codgers would say, "That's Good" and mean the same thing that we do. Great article. Johnny Yuma
with the use of text messaging form of English, many words will join the world of Dinosaurs soon!
You always write such very intelligent articles. This is another great one.
Very interesting! I love learning the origin and meanings of words. Thanks for adding to my knowledge base, great article.
So very interesting...as always!!!!
Wow - what a gorgeous find! I got lucky, here, as I am very interested the trascendent descriptive possibilities of language, including lexical, grammatical, and syntactical construction. I'm very literal, and so get nervous and/or frustrated over word-meanings being "morphable" or a moving target. Your piece is very informative and diligently scholarly. :)
I was aware of how the word "naughty" has changed over time. But I didn't know about the others mentioned here.
Sophie
Excellent info here! So much I did not know.