It sometimes, felt like she was walking this fine line between who she thought she was and who the judges knew she could be. Week after week she was admonished to let us hear that big voice. Yet, she returned, week after week, with pretty, well crafted, but not awe-inspiring performances. There's nothing wrong with pretty or well-crafted if that's all you have to give. Today's musical landscape is littered with those whose promotional capabilities far outpace their actual talent. However, one senses that within Ramiele Malubay, there are awe-inspiring, rafter lifting performances.
I could wax metaphysical about feelings of deservingness and overcoming limiting beliefs. Suffice it to say, she must believe that she deserves to be on that stage in that moment, living that particular existence. Otherwise she'll always sell herself short. As I said, I believe that Ramiele possesses real talent and I hope that she can achieve a level of self-possession that allows her to fully embrace the extent of that talent.
Published by Demetria Dixon
I am a stand up comedian and a writer. I have committed myself to this path and opened myself to the future. I plan to eat, sleep, breath and be it. View profile
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2 Comments
Post a CommentActually, I think Syesha holds back as well. I really though that either she or Carly Smithson should have gone home this week. Carly bec asue she seems istracted and just out of sorts and Syesha because she's been given every opportunity to give a phenomenally performance and she just been kinda coasting.
I agree completely with your analysis. I always tried to figure out what was wrong, as she never sang a note out of key, had incredible control, and never dropped out on the power notes. Perhaps she should have taken a lesson on shameless self-promotion from Syesha :)