But what was the reasoning behind these melodies of misery? Was there a morbid obsession with death, or what? Let's take a look at some of these songs and see what was going on.
The first tragedy song I know about is 1958's "Endless Sleep" by Jody Reynolds. It's a rainy dark night and Jody's baby somehow fell in the sea after they had a quarrel and he left her alone. He follows her footsteps to the shore, where not only does the sea mock him but he hears her voice telling him to join her! Jody wrote this song, which peaked at No. 5, but In his original version, the girl drowned. The record company persuaded him to record a happy ending and he saves her. "Endless Sleep" has been covered endlessly ever since. The spooky quality of it can only lead one to speculate that Jody was watching too many late night horror shows!
The 1959 "Romeo/Juliet tale" of Running Bear and Little White Dove went all the way to No. 1 for several weeks. It was recorded by Johnny Preston and written by J.P. "The Big Bopper" Richardson, who unfortunately did not live to see it hit No. 1. The Big Bopper sang background vocals on the hit song along with future country superstar, George Jones. The lovers really do drown in "Running Bear." It is interesting to note that West Side Story first came out on Broadway in 1957 but whether that had any influence on the wave of star-crossed lovers that followed, I don't really know.
Car songs were all the rage in the early 1960s too, and some teen tragedy songs combined both. In Mark Dinning's "Teen Angel," the tragic heroine makes the ultimate sacrifice because she couldn't bear to lose her boyfriend's high school ring when the car was stalled on the railroad track. "Tell Laura I Love Her" is a singularly maudlin song, plaintively wailed by Ray Peterson. It tells the story of Tommy who wants to give his gal, Laura, flowers and presents, "but most of all a wedding ring." He decides to win the money in a stock-car race with fatal results. Tommy does come back to the chapel where Laura prays and continues to send his love via third person messages even though she is right there! 1964's "Last Kiss" by J. Frank Wilson and the Cavaliers, was based upon a real car accident, and "Dead Man's Curve" by Jan and Dean told about a drag race that ended badly. The latter song was considered somewhat prophetic when two years later, Jan Berry was seriously injured in a car accident near the scene depicted in the song.
Class-conscious parents were the villains in Dickey Lee's 1962 hit "Patches." The singer laments his inability to run off to marry his poor girlfriend, because his parents believe "a girl from that place would just bring [him] disgrace." When a distraught Dickey (and Dickey can really sing distraught) hears that Patches jumped in the dirty river, he decides to follow suit. Class struggles also showed up in a couple of songs by The Four Seasons in 1964: "Dawn (Go Away)" and "Rag Doll" but there were no fatalities.
Now we come to 1964's "Leader of the Pack" by the Shangri-Las which we can call the trifecta of teen tragedy songs. It combines the snobby parents, who "were always putting him down (down, down) because he came from the wrong side of town," a motorcycle and the death of the title character. The Shangri-Las continued to deliver the melodrama with "Out in the Streets" (only the love dies); "Give Us Your Blessing" (another trifecta) and "I Can Never Go Home Anymore," (the parent dies!).
With the advent of the Beatles and the British Invasion, the tragedy songs with repressive parents and car crashes began to fade away, although Dickey Lee did come back in 1965 to date a ghost who was celebrating her birthday at the local dance in "Laurie (Strange Things Happen)."
Published by Valerie Ferrari - Featured Contributor in Arts & Entertainment and Movies
In addition to being a Y!CN Featured Entertainment Contributor, I run a classic poetry site and am the webmaster for several online entertainment businesses. Email me at info@vjwebs.com View profile
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5 Comments
Post a CommentHmm...repressive parents...perhaps. It should be noted that J. Frank Wilson's "Last Kiss" eventually became the only song worth listening to by Pearl Jam (now, that should get some comment). These songs were tremendously affecting to kids at the time, as were arguably maudlin recording artists like Tommy Edwards, whose best recording began, "Many a tear has to fall but it's all in the game...." That song ended hopefully, but.... Hey, the 50s and early 60s were depressing....
Hey Victoria - I like that "Ode to Billy Joe' but it wasn't the same as the initial wave of songs, because the cause of Billy Joe's suicide was unclear and her parents didn't even seem to know she was seeing Billy Joe, (or care for that matter -- "well, Billy Joe never had a lick of sense, pass the biscuits, please ...)
Wow, I've heard of most of these songs but had no idea how depressing they all are. Here's another one to add to your list: 1967's "Ode to Billy Joe" by Bobbie Gentry. This one was such a downer that they made a movie about it!
This is very interesting, Valerie!
Of all the songs on this list, "The Leader Of The Pack" is the only one I'm familiar with. Still, it's interesting to read how even music fans back then had some very dark music to listen to, even if it pales in comparison to what we have now.