I will be honest.
That man,
I will be honest.
That man,
the one with long hair
broken teeth
covered by filler material.
That man with
apparent life, apparent love.
Is not that man
who loves,
not that man
who cares.
That man, the one
the poem is written for,
fears life, fears love.
Little children die everyday.
Some walk and talk still,
some are dead,
the dead that comes
from bullets ripping flesh
fired from guns
held by other children.
These children,
not the dead,
are comatose.
Killed by the murder of others.
Killed by the cocaine
pumped into them by
their walking bloodless
leaders.
Greedy for power,
lusting
for life to suck.
Don't you know that the comatose
find life by consuming.
They consume it
vultures on a carcass.
Ripping tissue
from bone.
Drinking blood as liquid candy.
That man, the one who
writes this poem for
himself,
knows this. Knows the sleepy
depraving life of a coma
He is not dead.
The dead cannot
write poems about death.
That man writes
of his empty
heart.
- breathe -
That man cannot even kill
a trapped mouse
one that will die
of the trap he set.
The trap that broke
the grey furry creatures back.
That man. That man
tries tangents
so he won't
tell the truth,
That girls,
eight
years old,
girls that usually play house, that usually dress dolls.
That usually
dream.
That girls of
eight
years old
service 30,
thirty!
men a day
a night.
Service men.
Service men.
They, the girls being
eight,
are used for sex.
sex
They are used as
entertainment.
Dreams
are dead
for them.
They have joined
the ranks
of the walking dead.
Killed and flesh
eaten by men
and their phalacies.
That is grotesque.
The worst possible
conclusion of being
human. Of being
created.
That man, the one
writing, hates being a kin
to the vultures .
Hates
ripping
life out of innocence playing with dolls.
That man cannot
take it. he
can't
take
it.
He has tears,
but wonders why,
what they will do for
the dead,
not the dead
but the comatose
who have had their souls
eaten
by lust.
- again - breathe -
That man of apparent
love,
of apparent life.
Has had life ripped,
torn
from his flesh.
He stinks
of paint and b.o.
The other children,
the young boys,
the ones who
should be getting dirty, dreaming of becoming a man strong
and wonderful. The hero.
The ones who should be playing cowboys and Indians,
or the Thai equivalent.
These boys are dead,
not dead,
but comatose. A soul death. They
service older men as well.
they provide.
sex.
Entertainment.
They are killed by
lust.
That man can see the
horrors. He hates
himself, as the
dead hate
the dead.
That man only serviced one,
a patriarch of
his family.
A grandfather
preacher.
That man, the poet, knows death.
Knows tiring sleep.
That man of apparent
life, of apparent
love.
Has caused death.
of an eight year old girl.
That man was not a
man yet, only
twelve.
But that man drank
of blood candy, ate
of flesh.
This is why that man
who writes this poem
hates.
- once more -
It is not always hate.
It is not always death
that that man is
conscious of.
Once in a while
when courage overpowers
fear. He lives. He cries. He loves.
He, that man,
will carry sorrow, hoping
that his life may
somehow prevail
and revive the dead,
like the breath of God
in Adams lungs,
like the first
breath of Christ after
the fires of hell.
That man hopes that
his tales, his prayers
will not be as shallow
as the reanimation
of dead souls
but will provide
the defibrillating
shock of life to
lifeless souls.
As that man,
the one for whom the poem is written,
dreams of this,
He knows his
tears can do nothing.
That his love alone
is nothing.
The breath of God.
The sharp intake of
Christ's resurrected
massacred body
is where it all begins,
where it all ends.
Published by Caleb Gerdes
Being 2 in Eau Claire, WI View profile
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