Charles Bronson and Jan-Michael Vincent in The Mechanic (1972)
Murder is Only Killing Without a License
Fans of modern action films are probably going to be bored with The Mechanic as it is, without a doubt, a product of its times. While there are a few explosions and a car chase scene, they're spaced throughout the film and you'll see no two-fisted gunslingers diving across warehouses a la John Woo. The Mechanic replaces the modern hard-hitting soundtrack and quick-cut editing with 70s style long shots, dramatic framing, thoughtful near-silence, and intense characterization. Heck, the first piece of dialog in the film isn't uttered for more than 15 minutes!
Screenwriter Lewis John Carlino has crafted a script that allows us to feel both the pain and the joy of being a hit man. Bronson's character may be teaching Vincent's character the ropes of being a professional killer, but at the same time we're learning ourselves. A professional doesn't just pick up a gun, find the mark, and put a bullet in their head. No. First he learns everything he can about them - their schedule, their habits, medical information, friends and family - everything. He then uses this information to formulate a plan to take out the target so masterfully that it's a wonder he ever gets paid because all of the deaths seem accidental or completely natural. Meanwhile, director Michael Winner clearly understands that while The Mechanic is about a mafia hitman (Bronsons works for "The Organization", but it's clearly still the mob) this is a drama, not an action film or even a thriller. Both the cinematagoraphy and the acting highlight this difference in nearly every footage of film.
While The Mechanic has absolutely zero semblance to any video game ever made it will long reign supreme among hit man movies. This film is the total package and has an ending that you may not readily believe, but you'll certainly accept, and most likely honor as one of the best in all of movie history.
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