This scherzo is in ternary form (A-B-A musical form; the scherzo form), as are all his other scherzos. This scherzo begins (A-part of the form) in a really quirky fashion; chords, arpeggios, and scales cause strange sounds and dissonance. The second part (B-section of the ternary form) of the scherzo is melodic and lyrical (a mazurka of some sort); the serenity of this section contrasts with the first part of the scherzo. The last section (A-again ends the ternary form) of the scherzo is essentially a return to the first section of the work, after this is restated: the composition comes to an end.
This Chopin scherzo combines lyricism and discord in a very original and creative fashion. Although not Chopin's most famous scherzo, it packs a good punch. Only a very accomplished pianist can take on this feat.
Published by John Sarkis
I've written articles, a few short stories, and I'm currently working on a novella. I've also written 2 symphonies, and a handful of piano compositions. View profile
- How Will You Pay Your Rent? Award Winning Musical Speaks to Contemporary Issues
- The Influence of African American Culture and Musical Structure in Toni Morrison's...
- Consumer Credit Repair - False Reporting is Detrimental but Easily Resolved - at N...
- Vivasuzi's 2007 Musical Movie Awards!
- You've Seen High School Musical 2: Now What?
- A Minor Musical Scale
- Musical Dissent in Muslim Algeria



