The vivid and heavily stylized look of the film put the dark emotions and almost anarchic themes up as a work of true art. The violence and destruction of the world around the characters played out almost like a ballet. Where not only do feel drawn in and facinated by it, but almost even feel the need to walk forward and join the dance.
While most at the time were unprepared for the frenzied and kinetic pace of the film, Fight Club's exploration of the editing style opened up a new cinematic pace that many movies afterwords would enjoy. The fast bullet fast montages gave Fight Club a pace that pulled the viewer along, willing or not. One just couldn't look away for fear of missing a moment.
During the first viewing one couldn't help but be a little taken back by the dark and brutal nature of the film. Looking back one realizes that not only what the violent display in Fight Club appropriate, but perhaps even nessisary.
The film explored both purely male and purely female methods of coping. Crying and violence. While at the same time both the lead male (Edward Norton, Brad Pitt) and female characters (Helena Bonham Carter) are nether. Norton being a product of a fatherless generation, and Carter, while being emotionally troubled, could never be mistaken for weak.
In addition to being artistically brillent, Fight Club is full of horrifyingly funny moments. One cannot help but laugh at the anarchic exploits of the characters.
Fight Club is a dark, funny, joyride to the lengths that people will go to escape the everyday, consumer driven society they live in.
Published by Patrick Lett
A self proclaimed polymath, Patrick Lett is a independent filmaker from New Jersey. An artist, a musician, and writer. A self taught student of life and the human condition, he searches to express what he se... View profile
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2 Comments
Post a CommentWe own the movie on DVD and VHS, and love it. Listen to the commentary by Pitt, Norton & Carter on the special features...it's absolutely hysterical. Also, they point out a lot of stuff you may have missed on the first few go-arounds.
What I find most striking about this movie is its parallel lines to 9/11. Oh, we have Yuppies instead of religious fanatics from the Middle East, but that final scene in downtown New York is eerily similar to what went down 5 years ago.
Personally, I think the movie was unfairly overlooked. Who knows why? Maybe some people just don't "get it." I guess a lot of them do, though. In the voice overs, Pitt comments that in the airports, young adult males often greet him with lines out of "Fight Club," and address him as "Sir."
Seriously, Mr Lett. Ever heard of a little thing called spell check? Try it, it will not let you down.