Lansdale is an author whose work has gone mostly unnoticed by the mainstream world but horror (and western) fans know his work well as he embodies his stories with quirky yet seemingly ordinary characters that get caught up in strange circumstances. I liken many of his stories to that of the screwball comedy (which is probably why I enjoy his work so much) with the touch of the strange, the weird, and the horrifying. It's great to see one of his most popular works adapted to the comic book form and in black and white no less putting you into the atmosphere of being at an actual vintage drive-in theater.
The Drive-In concerns a group of friends who decide that they should spend one last hurrah together at the vintage drive-in of their small town just before one of them decides to leave for good. Their bad luck as a meteor passes over the drive-in creating a riff in space and time that traps them and everyone else at the drive-in in a limbo like place in which they cannot escape. When someone tries to escape their skin melts away and they become nothing more than a pile on flesh. As time goes by, food runs low and groups start divide amongst themselves in order to survive. Wondering too close to the edge of the drive-in lends itself to a twist in reality as some people become creatures that far exceed anything in the imagination.
The Drive-In is not just a story about people trapped in a drive-in by an unknown and possibly alien force but it is also the story about survival and who you can truly trust when all logical odds are stacked against you. This "sequential adaptation" (as it is called) is by Christopher Golden with artwork by Andres Guinaldo and it is a fine adaptation of Lansdale's work. Golden does a great job of creating dread and horror not only amongst the characters themselves but the unknown that the characters are faced with and Guinaldo's black & white artwork perfectly complements the story. Although the attention to detail that Guinaldo has does sometimes convolute the double page spreads give the story a grand canvas from which to see the world that the characters are trapped in.
Now if only some of Lansdale's other works could be adapted the world be perfect (or as perfect as it can be from Lansdale's perspective).
Published by Kevin L. Powers
Graduate of Georgia State University in Film & theatre. He has worked in the film industry since 2000 on both shorts and features in all genres. His most recent films include the Rose M. Barron short film... View profile
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