The ultimate goal of an actor working alongside other actors is to engage in a shared performance. This basically boils down to being able to read each other, interact with one another and use the energy from each actor to create and develop an interesting scene. One of the primary methods of reaching a shared performance is to engage in improvisational group performances.
Improvisational group performances stems from the Stanislavski Method of Physical Actions, as it encourages the psychophysical process of human interaction without being overly rehearsed. While there are several different ways to engage in this type of improvisational exercise, I have cultivated a primary blueprint that you may use with your actors.
Create a Scene
After gather up to five actors, create an improvisational scene for these actors. Do not worry about handing out scripts as this takes away from the emotional energy as the actors will become more concentrated on not missing a line rather than engaging with their fellow performers.
The scene should be one that does not involve a lot of pantomime. Below are several examples:
- · Waiting for the bus
- · Sitting on a train
- · Sitting in class before the teacher arrives
- · Waiting in the hospital waiting room
- · Dodging bullets from a sudden attack
- · In the library
- · Working at a retail store
- · A funeral wake
- · Sitting in a stuck elevator
Set a Time Limit
This is very important. Do not allow a scene to drag on for too long as this can be detrimental to the actor's performance. The goal of this exercise is to allow the actors ample time to create a scene, identify its objects, encounter obstacles and perform physical and emotional steps to overcome said obstacles and meet the primary objective.
The ideal time limit is between five and ten minutes.
Analyze the Performance
Throughout the performance, take notes of each actor. Identify his or her strengths within the scene, weaknesses and an overall review of the group performance. Discuss the performance with the actors, ask how they felt? Ask what they would of done differently? Discuss their character choices and why they chose to act in a certain way.
Published by Prior Aphter
Prior Aphter has been a professional freelance writer since 2005, and throughout his experience he has worked for online and offline clients dealing with healthcare advancements, natural remedies, scientific... View profile
- Dance Therapy: Effective Treatment for Sexually Abused ChildrenThis article is about how dance therapy is effective in treating sexually abused children.
Putin Administration's Deference to Patrimonial RuleRussia is not willfully abandoning democratic development. Its seeming authoritarianism is only due to the fact that accomplishing even simple tasks in Russian politics involves...- The Wisdom of Improv for Business SuccessLearn 6 rules of improv comedy that directly relate to business success. You don't have to be funny to be an effective improver.
Belly Dance Stage Presence and ExpressionA great guide for performers or potential performers to enhance their techniques of stage presence and expressing oneself confidently, beautifully and professionally. Topics inc...
Play that Funky KazooA short story about a bass player who wanted to try out a new musical instrument in his band.
- Group Improvisational Exercises for Actors
- Improvisational Acting Tips - Developing Personal Freedom and Self-Exploration
- Acting Basics- Lesson 1 Part 1
- Professional Acting Tips - Eliminating Your Internal and Emotional Inhibitions
- Improvisational Acting Exercise - Improving Simple Tasks
- Ramblings About Actors and Acting Part Two
- Acting Exercise - Perfecting Everyday Actions for Believability
