EG: How did you know you wanted to be a musician?
WD: My mother bought me a plastic guitar when I was six, and I used to perform for my first grade class every week. I think I used a spoon as a microphone. I was living in the Netherlands at the time and didn't speak any English (we didn't move to the United States until I was seven), but I listened religiously to the Top 40 on a pirate radio station called "Radio Veronica" every Saturday, and since most of the music was sung in English, I just mimicked the sounds of the song lyrics when I sang for my classmates.
EG: What are your musical influences?
WD: The Wallflowers, Counting Crows, Beatles, Bruce Springsteen, and REM.
EG: What is your song writing process? D you first write music, then lyrics? Do you even have a process?
WD: Melodies almost always come first. The verses and chorus then dictate the mood of the song, which in turn point me to a more specific theme and lyrics. My songs are essentially three or four minute distillations of some event or observation, a musical snapshot that captures a particular period in life that is set against the backdrop of a driving beat--something you can reflect on and drive to at the same time.
EG: What do you consider to be your greatest musical achievement
WD: Winning a number of songwriting awards, including one from Billboard, and being featured in several articles and television news segments were all honors. I also enjoy the medleys I've created of cover songs--combining, say, Usher and Simon and Garfunkel. But the greatest achievement was the writing and recording of the two CDs I released, especially the second one "Familiar Ground."
EG: Why are these CDs so important to you?
WD: The CDs are collection of songs that are essentially three or four minute distillations of particular observations and reflections of people, places and events-- musical snapshots of my life at the time. It gives those times a sense of permanence.
EG: What types of gigs do you usually play?
WD: I play as a solo artist, with a duo and with a band. I've played from small hole-in-the wall dives to large amphitheaters like Nissan Pavilion in the DC area.
EG: What have been some of your favorite gigs?
WD: There have been many. My band, the FBI, recently played at the Hard Rock Cafe in DC with the guitar players from the Doobie Brothers and Bruce Springsteen's E Street Band. A few years ago, I played on the Georgetown University campus with another band I was in, and it turned out to be a wild night with hundreds of people. I'm not sure the surrounding Georgetown residents were thrilled, but everyone else had a great time!
EG: What do you like best about playing live?
WD: Few things in life surpass the raw emotion and passion that come from connecting with a crowd in a live setting. These transcendental moments--when everything is hitting on all cylinders: playing, singing and the audience response--are constant reminders of how lucky I consider myself to be doing what I'm doing.
EG: Tell me about your full-time job at SoundExchange.
WD: I work as communications director/editor for SoundExchange. The organization collects and distributes royalties to artists and labels whose music is played on digital media like satellite (XM and Sirius) and Internet radio.
EG: What else do you do in your spare time that is non-music related?
WD: I'm an avid walker--I love to put on my iPod and just go for miles. Sitting in the sun while reading a book or newspaper is also a favorite.
EG: What are your future plans for your music career?
WD: I'll probably record another CD in the future, but I just hope to be playing for as long as I can, since that is what I most enjoy doing.
You can see Willem Dicke perform live throughout the Washington metropolitan area. His calendar of events can be found at www.myspace.com/willemd. You can also download his original songs there.
Published by Elizabeth C.
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