Is There an End-Run Around the Writer's Strike?

Is there a way to do an end run around the writer's strike and keep working as a writer in Hollywood? Just as magicians use the technique of misdirection, writers in Hollywood have often referred to themselves as something other than writers. Could a simple change of title be a method of dodging the picket line? It wouldn't be recommended. A huge caveat accompanies any attempt at such subterfuge: if you try manipulating the letter and spirit of Writer's Guild regulations, you'll never write in this town again.

Here is an explanation of the dizzying ladder of alternative titles often assumed by writers in the entertainment industry in ascending order of importance:

Staff Writer - Usually the lowest rung on the ladder. Bottom of the totem pole. Entry level. But perhaps a step ahead of a "gofer."

Co-Producer - A junior writing position or a wet-behind-the-ears producer. Still slightly senior to a Staff Writer.

Associate Producer - This is often someone who specializes in a particular area, such as post-production work. It might involve junior level writing work.

Producer - Could be someone only marginally responsible for producing a television show or film. Sometimes this is a title given as a type of honorary to packagers or agents. However, mid-level writers are also bestowed with the Producer title.

Supervising Producer - This is somewhat equivalent to an office manger. The Supervising Producer is senior enough to oversee the work of others. In television terms, this usually means someone who has been with a series for two or three years. It is not unusual for the head writer to be referred to as the Supervising Producer.

Co-Executive Producer - Within sight of the top of the ladder. This would be the senior writer. If the position is held by a non-writer, and is actually occupied by a true producer, it is probably someone bumped from a full "Produced By" credit on the titles. It is standard television practice to award the "Produced By" credit to only one person per episode. It is typically reserved for the person who administers to the nuts and bolts of the show.

Executive Producer - Corner office and reserved parking space. Here is where you find the head writer, who may also be the original creator of the show. As actors in a television series become more identified by their role and grow more influential, they may be given this title. It might also apply to a chief executive of a network or production company. Even a writing team that reports directly to the network can be given Executive Producer titles.

Got that all straight? Okay then, cut and it's a wrap.