Samuel Clements, Mark Twain to many people, was born on November 30, 1835, in Florida, Missouri. Arkansas became a full-blown state on June 15, 1836. Thus it would be easy to say that they came of age together and that for Twain's entire life he would have a love affair with Arkansas, a legendary land he probably never saw from any angle other than a river boatman's on the Mississippi River. However, that wasn't a handicap to their relationship. His imagination easily filled in any blank space past the river's edge.
The following is a brief (and incomplete) sampling of Mark Twain's passages that mention Arkansas and, for better or worse, its people.
The best place to begin is probably at the beginning, and this is just what Twain does in the opening of Life on the Mississippi offering a little history about the early French explorers coming down the Mississippi and their encounters with Indians in Arkansas. He starts with Marquette and Joliet.
. . . at last they reached the mouth of the Arkansas (about a month out from their starting-point), where a tribe of war-whooping savages swarmed out to meet and murder them; but they appealed to the Virgin for help; so in place of a fight there was a feast, and plenty of pleasant palaver and fol-de-rol.
LaSalle and DeTonty were next.
Day by day they floated down the great bends, in the shadow of the dense forests, and in time arrived at the mouth of the Arkansas. First, they were greeted by the natives of this locality as Marquette had before been greeted by them - with the booming of the war drum and the flourish of arms. The Virgin composed the difficulty in Marquette's case; the pipe of peace did the same office for La Salle. The white man and the red man struck hands and entertained each other during three days. Then, to the admiration of the savages, La Salle set up a cross with the arms of France on it, and took possession of the whole country for the king - the cool fashion of the time - while the priest piously consecrated the robbery with a hymn. The priest explained the mysteries of the faith 'by signs,' for the saving of the savages; thus compensating them with possible possessions in Heaven for the certain ones on earth which they had just been robbed of. And also, by signs, La Salle drew from these simple children of the forest acknowledgments of fealty to Louis the Putrid, over the water. Nobody smiled at these colossal ironies.
These performances took place on the site of the future town of Napoleon, Arkansas, and there the first confiscation-cross was raised on the banks of the great river. Marquette's and Joliet's voyage of discovery ended at the same spot - the site of the future town of Napoleon. When De Soto took his fleeting glimpse of the river, away back in the dim early days, he took it from that same spot - the site of the future town of Napoleon, Arkansas. Therefore, three out of the four memorable events connected with the discovery and exploration of the mighty river, occurred, by accident, in one and the same place. It is a most curious distinction, when one comes to look at it and think about it. France stole that vast country on that spot, the future Napoleon; and by and by Napoleon himself was to give the country back again! - make restitution, not to the owners, but to their white American heirs.
Captain Isaiah Sellers was probably one of Twain's inspirations about Arkansas and the man who gave Samuel Clements the name of Mark Twain. Over the years before Clements began writing actual and fictional adventures, Sellers had used the name Mark Twain on some short pieces he had written about life on the River. When Clements asked if he could use the name Mark Twain, Sellers gladly gave way to the younger man.
In later years, Twain wrote about Captain Sellers.
Many and many a time did this ancient mariner appear on the scene in the above fashion, and spread disaster and humiliation around him. If one might believe the pilots, he always dated his islands back to the misty dawn of river history; and he never used the same island twice; and never did he employ an island that still existed, or give one a name which anybody present was old enough to have heard of before. If you might believe the pilots, he was always conscientiously particular about little details; never spoke of "the state of Mississippi, " for instance - no, he would say, "When the state of Mississippi was where Arkansas now is"; and would never speak of Louisiana or Missouri in a general way, and leave an incorrect impression on your mind - no, he would say, "When Louisiana was up the river farther," or "When Missouri was on the Illinois side."
Twain often wrote about what he had seen of Arkansas from the Mississippi River. In Life on the Mississippi, one of his early works, he said:
We glided steadily down the river in the usual privacy - steamboat or other moving thing seldom seen. Scenery as always: stretch upon stretch of almost unbroken forest, on both sides of the river; soundless solitude. Here and there a cabin or two, standing in small openings on the gray and grassless banks - cabins which had formerly stood a quarter or half-mile farther to the front, and gradually been pulled farther and farther back as the shores caved in. As at Pilcher's Point, for instance, where the cabins had been moved back three hundred yards in three months, so we were told; but the caving banks had already caught up with them, and they were being conveyed rearward once more.
Mark Twain often spoke of Napoleon, Arkansas. At the point where the Arkansas joined the Mississippi River, Napoleon was a port town founded by former Arkansas Post trader Frederick Notrebe as a rival to Montgomery Point, a similar establishment just upriver where the White River entered the Mississippi.
Founded in the 1820s, Napoleon was a rowdy little town with a reputation for wickedness and violence. Flood-prone and malaria-ridden, the town seemed poised on the brink of disaster for decades. In its "heyday," Napoleon was little more than a glorified warehouse district, where goods were transferred to and from boats working the Arkansas River. During the Civil War, Union troops dug a ditch as part of the defenses for the town. After the war, the river slowly widened this channel and the town began to erode away.
Today, Napoleon is more faded memory than actual place. Twain acknowledged that point when he said it "is gone to the catfishes" in Life on the Mississippi. About all that remains of the settlement are a couple of difficult to locate headstones in its cemetery and widely-shattered, buried and overgrown humps of ruins.
One of the strongest sections of Life On The Mississippi, is called "A Dying Man's Confession," in which the narrator discovers the fate of Napoleon.
"Come, what is this all about? Can't a man go ashore at Napoleon if he wants to?"
"Why, hang it, don't you know? There isn't any Napoleon any more. Hasn't been for years and years. The Arkansas River burst through it, tore it all to rags, and emptied it into the Mississippi!"
"Carried the whole town away?-banks, churches, jails, newspaper offices, courthouse, theater, fire department, livery stable-everything?"
"Everything. Just a fifteen-minute job, or such a matter. Didn't leave hide nor hair, shred nor shingle, of it, except the fag-end of a shanty and one brick chimney. This boat is paddling along right now where the dead-center of that town used to be; yonder is the brick chimney-all that's left of Napoleon. These dense woods on the right used to be a mile back of the town. Take a look behind you-upstream-now you begin to recognize the country, don't you?"
"Yes, I do recognize it now. . . ."
Yes, it was an astonishing thing to see the Mississippi rolling between unpeopled shores and straight over the spot where I used to see a good big self-complacent town twenty years ago. Town that was county seat of a great and important county; town with a big United States Marine hospital; town of innumerable fights - an inquest every day; town where I used to know the prettiest girl, and the most accomplished in the whole Mississippi Valley; town where we were handed the first printed news of the Pennsylvania's mournful disaster a quarter of a century ago; a town no more-swallowed up, vanished, gone to feed the fishes; nothing left but a fragment of a shanty and a crumbling brick chimney!
The Adventures of Huckleberry Finn, probably Twain's most famous work, was set in the 1850s. In it, Twain writes of the fictional Arkansas River town of Bricksville, which some scholars have suggested is modeled on Napoleon, Arkansas. Here Twain described Bricksville in the heat of a summer's day.
One morning, when we was pretty well down the State of Arkansaw, we come in sight of a little one-horse town in a big bend; so we tied up about three-quarters of a mile above it, in the mouth of a crick which was shut in like a tunnel by the cypress trees, and all of us but Jim took the canoe and went down there to see if there was any chance in that place for our show.
We struck it mighty lucky; there was going to be a circus there that afternoon, and the country people was already beginning to come in, in all kinds of old shackly wagons, and on horses. . . .
Then we went loafing around town. The stores and houses was most all old, shackly, dried up frame concerns that hadn't ever been painted; they was set up three or four foot above ground on stilts, so as to be out of reach of the water when the river was overflowed. The houses had little gardens around them, but they didn't seem to raise hardly anything in them but jimpson-weeds, and sunflowers, and ash piles, and old curled-up boots and shoes, and pieces of bottles, and rags, and played-out tinware. The fences was made of different kinds of boards, nailed on at different times; and they leaned every which way, and had gates that didn't generly have but one hinge - a leather one. Some of the fences had been whitewashed some time or another, but the duke said it was in Clumbus' time, like enough. There was generly hogs in the garden, and people driving them out.
All the stores was along one street. They had white domestic awnings in front, and the country people hitched their horses to the awning-posts. There was empty drygoods boxes under the awnings, and loafers roosting on them all day long, whittling them with their Barlow knives; and chawing tobacco, and gaping and yawning and stretching - a mighty ornery lot. They generly had on yellow straw hats most as wide as an umbrella, but didn't wear no coats nor waistcoats, they called one another Bill, and Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used considerable many cuss words. There was as many as one loafer leaning up against every awning-post, and he most always had his hands in his britches-pockets, except when he fetched them out to lend a chaw of tobacco or scratch. . . . .
All the streets and lanes was just mud; they warn't nothing else BUT mud - mud as black as tar and nigh about a foot deep in some places, and two or three inches deep in ALL the places. The hogs loafed and grunted around everywheres. You'd see a muddy sow and a litter of pigs come lazying along the street and whollop herself right down in the way, where folks had to walk around her, and she'd stretch out and shut her eyes and wave her ears whilst the pigs was milking her, and look as happy as if she was on salary. And pretty soon you'd hear a loafer sing out, "Hi! SO boy! sick him, Tige!" and away the sow would go, squealing most horrible, with a dog or two swinging to each ear, and three or four dozen more a-coming; and then you would see all the loafers get up and watch the thing out of sight, and laugh at the fun and look grateful for the noise. Then they'd settle back again till there was a dog fight. There couldn't anything wake them up all over, and make them happy all over, like a dog fight - unless it might be putting turpentine on a stray dog and setting fire to him, or tying a tin pan to his tail and see him run himself to death.
On the riverfront some of the houses was sticking out over the bank, and they was bowed and bent, and about ready to tumble in, The people had moved out of them. The bank was caved away under one corner of some others, and that corner was hanging over. People lived in them yet, but it was dangersome, because sometimes a strip of land as wide as a house caves in at a time. Sometimes a belt of land a quarter of a mile deep will start in and cave along and cave along till it all caves into the river in one summer. Such a town as that has to be always moving back, and back, and back, because the river's always gnawing at it.
Helena, Arkansas, was another favorite of Mark Twain. In Life on the Mississippi, he had the following to say about it:
Helena occupies one of the prettiest situations on the Mississippi. Her perch is the last, the southernmost group of hills which one sees on that side of the river. In its normal condition it is a pretty town; but the flood (or possibly the seepage) had lately been ravaging it; whole streets of houses had been invaded by the muddy water, and the outsides of the buildings were still belted with a broad stain extending upwards from the foundations. Stranded and discarded scows lay all about; plank sidewalks on stilts four feet high were still standing; the board sidewalks on the ground level were loose and ruinous, - a couple of men trotting along them could make a blind man think a cavalry charge was coming; everywhere the mud was black and deep, and in many places malarious pools of stagnant water were standing. A Mississippi inundation is the next most wasting and desolating infliction to a fire.
We had an enjoyable time here, on this sunny Sunday: two full hours' liberty ashore while the boat discharged freight. In the back streets but few white people were visible, but there were plenty of colored folk - mainly women and girls; and almost without exception upholstered in bright new clothes of swell and elaborate style and cut - a glaring and hilarious contrast to the mournful mud and the pensive puddles.
Helena is the second town in Arkansas, in point of population - which is placed at five thousand. The country about it is exceptionally productive. Helena has a good cotton trade; handles from forty to sixty thousand bales annually; she has a large lumber and grain commerce; has a foundry, oil mills, machine shops and wagon factories - in brief has $1,000,000 invested in manufacturing industries. She has two railways, and is the commercial center of a broad and prosperous region. Her gross receipts of money, annually, from all sources, are placed by the New Orleans 'Times-Democrat' at $4,000,000.
Another reason Twain had to remember Helena was an incident that happened years before a short ways from there. He wrote about it in Old Times on the Mississippi.
Late one night the boat was approaching Helena, Arkansas; the water was low, and the crossing above the town in a very blind and tangled condition. X. had seen the crossing since Ealer had, and as the night was particularly drizzly, sullen, and dark, Ealer was considering whether he had not better have X. called to assist in running the place, when the door opened and X. walked in. Now on very dark nights, light is a deadly enemy to piloting; you are aware that if you stand in a lighted room, on such a night, you cannot see things in the street to any purpose; but if you put out the lights and stand in the gloom you can make out objects in the street pretty well. So, on very dark nights, pilots do not smoke; they allow no fire in the pilot-house stove if there is a crack which can allow the least ray to escape; they order the furnaces to be curtained with huge tarpaulins and the sky-lights to be closely blinded. Then no light whatever issues from the boat. The indefinable shape that now entered the pilot-house had Mr. X.'s voice. This said -
'Let me take her, George; I've seen this place since you have, and it is so crooked that I reckon I can run it myself easier than I could tell you how to do it.'
'It is kind of you, and I swear I am willing. I haven't got another drop of perspiration left in me. I have been spinning around and around the wheel like a squirrel. It is so dark I can't tell which way she is swinging till she is coming around like a whirligig.'
So Ealer took a seat on the bench, panting and breathless. The black phantom assumed the wheel without saying anything, steadied the waltzing steamer with a turn or two, and then stood at ease, coaxing her a little to this side and then to that, as gently and as sweetly as if the time had been noonday. When Ealer observed this marvel of steering, he wished he had not confessed! He stared, and wondered, and finally said -
'Well, I thought I knew how to steer a steamboat, but that was another mistake of mine.'
X. said nothing, but went serenely on with his work. He rang for the leads; he rang to slow down the steam; he worked the boat carefully and neatly into invisible marks, then stood at the center of the wheel and peered blandly out into the blackness, fore and aft, to verify his position; as the leads shoaled more and more, he stopped the engines entirely, and the dead silence and suspense of 'drifting' followed when the shoalest water was struck, he cracked on the steam, carried her handsomely over, and then began to work her warily into the next system of shoal marks; the same patient, heedful use of leads and engines followed, the boat slipped through without touching bottom, and entered upon the third and last intricacy of the crossing; imperceptibly she moved through the gloom, crept by inches into her marks, drifted tediously till the shoalest water was cried, and then, under a tremendous head of steam, went swinging over the reef and away into deep water and safety!
Ealer let his long-pent breath pour out in a great, relieving sigh, and said -
'That's the sweetest piece of piloting that was ever done on the Mississippi River! I wouldn't believed it could be done, if I hadn't seen it.'
There was no reply, and he added -
'Just hold her five minutes longer, partner, and let me run down and get a cup of coffee.'
A minute later Ealer was biting into a pie, down in the 'Texas,' and comforting himself with coffee. Just then the night watchman happened in, and was about to happen out again, when he noticed Ealer and exclaimed -
'Who is at the wheel, sir?'
'X.'
'Dart for the pilot-house, quicker than lightning!'
The next moment both men were flying up the pilot-house companion way, three steps at a jump! Nobody there! The great steamer was whistling down the middle of the river at her own sweet will! The watchman shot out of the place again; Ealer seized the wheel, set an engine back with power, and held his breath while the boat reluctantly swung away from a 'towhead' which she was about to knock into the middle of the Gulf of Mexico!
By and by the watchman came back and said -
'Didn't that lunatic tell you he was asleep, when he first came up here?'
'NO.'
'Well, he was. I found him walking along on top of the railings just as unconcerned as another man would walk a pavement; and I put him to bed; now just this minute there he was again, away astern, going through that sort of tight-rope deviltry the same as before.'
'Well, I think I'll stay by, next time he has one of those fits. But I hope he'll have them often. You just ought to have seen him take this boat through Helena crossing. I never saw anything so gaudy before. And if he can do such gold-leaf, kid-glove, diamond-breastpin piloting when he is sound asleep, what COULDN'T he do if he was dead!'
Arkansas City was another Arkansas location mentioned in Life on the Mississippi. It was a new river port connected to Little Rock by one of the first railroads in Arkansas. Twain never visited Arkansas City. His intelligence on it was all secondhand.
. . . . a town I had not heard of before, it being of recent birth-[was] Arkansas City. It was born of a railway; the Little Rock, Mississippi River and Texas Railroad touches the river there. We asked a passenger who belonged there what sort of a place it was. 'Well,' said he, after considering, and with the air of one who wishes to take time and be accurate, 'It's a hell of a place.' A description which was photographic for exactness. There were several rows and clusters of shabby frame houses, and a supply of mud sufficient to insure the town against a famine in that article for a hundred years; for the overflow had but lately subsided. There were stagnant ponds in the streets, here and there, and a dozen rude scows were scattered about, lying aground wherever they happened to have been when the waters drained off and people could do their visiting and shopping on foot once more. Still, it is a thriving place, with a rich country behind it, an elevator in front of it, and also a fine big mill for the manufacture of cotton-seed oil.
Pikesville, Arkansas was a "little bit of a shabby village" Twain created in Huckleberry Finn, probably one of the greatest American novels ever written. Tom Sawyer, Detective, Huckleberry Finn and Huck Finn and Tom Sawyer Among the Indians, have scenes at the Phelphes' Arkansas farm which is described as being near the fictional Pikesville, Arkansas.
In Life on the Mississippi Twain observes the slow pace of life along Arkansas's side of the river.
There was empty dry goods boxes under the awnings, and loafers roosting on them all day long, whittling them with their Barlow knives; and chawing tobacco, and gaping and yawning and stretching - a mighty ornery lot. They generly had on yellow straw hats most as wide as an umbrella, but didn't wear no coats nor waistcoats, they called one another Bill, and Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used considerable many cuss words. There was as many as one loafer leaning up against every awning-post, and he most always had his hands in his britches-pockets, except when he fetched them out to lend a chaw of tobacco or scratch. . . . What a body was hearing amongst them all the time was:
"Gimme a chaw of tobacker, Hank "
"Cain't; I hain't got but one chaw left. Ask Bill."
Maybe Bill he gives him a chaw; maybe he lies and says he ain't got none. Some of them kinds of loafers never has a cent in the world, nor a chaw of tobacco of their own. They get all their chawing by borrowing; they say to a fellow, "I wisht you'd len' me a chaw, Jack, I jist this minute give Ben Thompson the last chaw I had" - which is a lie pretty much everytime; it don't fool nobody but a stranger; but Jack ain't no stranger, so he says:
"YOU give him a chaw, did you? So did your sister's cat's grandmother. You pay me back the chaws you've awready borry'd off'n me, Lafe Buckner, then I'll loan you one or two ton of it, and won't charge you no back intrust, nuther."
"Well, I DID pay you back some of it wunst."
"Yes, you did - 'bout six chaws. You borry'd store tobacker and paid back nigger-head."
Store tobacco is flat black plug, but these fellows mostly chaws the natural leaf twisted. When they borrow a chaw they don't generly cut it off with a knife, but set the plug in between their teeth, and gnaw with their teeth and tug at the plug with their hands till they get it in two; then sometimes the one that owns the tobacco looks mournful at it when it's handed back, and says, sarcastic:
"Here, gimme the CHAW, and you take the PLUG."
The loafers and others along Bricksville's fictional streets were sometimes treated to theater that is eerily close to today's reality television.
The nearer it got to noon that day the thicker and thicker was the wagons and horses in the streets, and more coming all the time. Families fetched their dinners with them from the country, and ate them in the wagons. There was considerable whisky drinking going on, and I seen three fights. By and by somebody sings out:
"Here comes old Boggs! - in from the country for his little old monthly drunk; here he comes, boys!"
All the loafers looked glad; I reckoned they was used to having fun out of Boggs. One of them says:
"Wonder who he's a-gwyne to chaw up this time. If he'd a-chawed up all the men he's ben a-gwyne to chaw up in the last twenty year he'd have considerable ruputation now."
Another one says, "I wisht old Boggs 'd threaten me, 'cuz then I'd know I warn't gwyne to die for a thousan' year."
Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out:
"Cler the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise."
He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first, and spoon vittles to top off on."
He see me, and rode up and says:
"Whar'd you come f'm, boy? You prepared to die?"
Then he rode on. I was scared, but a man says:
"He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best naturedest old fool in Arkansaw - never hurt nobody, drunk nor sober."
Boggs rode up before the biggest store in town, and bent his head down so he could see under the curtain of the awning and yells:
"Come out here, Sherburn! Come out and meet the man you've swindled. You're the houn' I'm after, and I'm a-gwyne to have you, too!"
And so he went on, calling Sherburn everything he could lay his tongue to, and the whole street packed with people listening and laughing and going on. By and by a proud-looking man about fifty-five - and he was a heap the best dressed man in that town, too - steps out of the store, and the crowd drops back on each side to let him come. He says to Boggs, mighty ca'm and slow - he says:
"I'm tired of this, but I'll endure it till one o'clock. Till one o'clock, mind - no longer. If you open your mouth against me only once after that time you can't travel so far but I will find you."
Then he turns and goes in. The crowd looked mighty sober; nobody stirred, and there warn't no more laughing. Boggs rode off blackguarding Sherburn as loud as he could yell, all down the street; and pretty soon back he comes and stops before the store, still keeping it up. Some men crowded around him and tried to get him to shut up, but he wouldn't; they told him it would be one o'clock in about fifteen minutes, and so he MUST go home - he must go right away. But it didn't do no good. He cussed away with all his might, and throwed his hat down in the mud and rode over it, and pretty soon away he went a-raging down the street again, with his gray hair aflying. Everybody that could get a chance at him tried their best to coax him off of his horse so they could lock him up and get him sober; but it warn't no use - up the street he would tear again, and give Sherburn another cussing. By and by somebody says:
"Go for his daughter! - quick, go for his daughter; sometimes he'll listen to her. If anybody can persuade him, she can."
So somebody started on a run. I walked down street a ways and stopped. In about five or ten minutes here comes Boggs again, but not on his horse. He was a-reeling across the street towards me, bareheaded, with a friend on both sides of him a-holt of his arms and hurrying him along. He was quiet, and looked uneasy; and he warn't hanging back any, but was doing some of the hurrying himself. Somebody sings out:
"Boggs!"
I looked over there to see who said it, and it was that Colonel Sherburn. He was standing perfectly still in the street, and had a pistol raised in his right hand - not aiming it, but holding it out with the barrel tilted up towards the sky. The same second I see a young girl coming on the run, and two men with her. Boggs and the men turned round to see who called him, and when they see the pistol the men jumped to one side, and the pistol-barrel come down slow and steady to a level - both barrels cocked. Boggs throws up both of his hands and says, "O Lord, don't shoot!" Bang! goes the first shot, and he staggers back, clawing at the air - bang! goes the second one, and he tumbles backwards on to the ground, heavy and solid, with his arms spread out. That young girl screamed out and comes rushing, and down she throws herself on her father, crying, and saying, "Oh, he's killed him, he's killed him!" The crowd closed up around them, and shouldered and jammed one another, with their necks stretched, trying to see, and people on the inside trying to shove them back and shouting, "Back, back! give him air, give him air!"
Colonel Sherburn he tossed his pistol on to the ground, and turned around on his heels and walked off.
They took Boggs to a little drug store, the crowd pressing around just the same, and the whole town following, and I rushed and got a good place at the window, where I was close to him and could see in. They laid him on the floor and put one large Bible under his head, and opened another one and spread it on his breast; but they tore open his shirt first, and I seen where one of the bullets went in. He made about a dozen long gasps, his breast lifting the Bible up when he drawed in his breath, and letting it down again when he breathed it out - and after that he laid still; he was dead. Then they pulled his daughter away from him, screaming and crying, and took her off. She was about sixteen, and very sweet and gentle looking, but awful pale and scared.
Well, pretty soon the whole town was there, squirming and scrouging and pushing and shoving to get at the window and have a look, but people that had the places wouldn't give them up, and folks behind them was saying all the time, "Say, now, you've looked enough, you fellows; 'tain't right and 'tain't fair for you to stay thar all the time, and never give nobody a chance; other folks has their rights as well as you."
There was considerable jawing back, so I slid out, thinking maybe there was going to be trouble. The streets was full, and everybody was excited. Everybody that seen the shooting was telling how it happened, and there was a big crowd packed around each one of these fellows, stretching their necks and listening. One long, lanky man, with long hair and a big white fur stovepipe hat on the back of his head, and a crooked-handled cane, marked out the places on the ground where Boggs stood and where Sherburn stood, and the people following him around from one place to t'other and watching everything he done, and bobbing their heads to show they understood, and stooping a little and resting their hands on their thighs to watch him mark the places on the ground with his cane; and then he stood up straight and stiff where Sherburn had stood, frowning and having his hat-brim down over his eyes, and sung out, "Boggs!" and then fetched his cane down slow to a level, and says "Bang!" staggered backwards, says "Bang!" again, and fell down flat on his back. The people that had seen the thing said he done it perfect; said it was just exactly the way it all happened. Then as much as a dozen people got out their bottles and treated him.
Not everyone in Twain's Arkansas was lawless and beyond the pale. Huck, in The Adventures of Huckleberry Finn, took us to the Colonel Grangerford family in Arkansas and how they were ready to fold Huck into their family.
Cold corn-pone, cold corn-beef, butter and buttermilk - that is what they had for me down there, and there ain't nothing better that ever I've come across yet. Buck and his ma and all of them smoked cob pipes, except the nigger woman, which was gone, and the two young women. They all smoked and talked, and I eat and talked. The young women had quilts around them, and their hair down their backs. They all asked me questions, and I told them how pap and me and all the family was living on a little farm down at the bottom of Arkansaw, and my sister Mary Ann run off and got married and never was heard of no more, and Bill went to hunt them and he warn't heard of no more, and Tom and Mort died, and then there warn't nobody but just me and pap left, and he was just trimmed down to nothing, on account of his troubles; so when he died I took what there was left, because the farm didn't belong to us, and started up the river, deck passage, and fell overboard; and that was how I come to be here. So they said I could have a home there as long as I wanted it.
Occasionally Arkansas's slow and easy life became exciting. Huckleberry Finn describes the scene at a failed lynching, the act following the shooting detailed above in Bricksville, Arkansas.
Well, by and by somebody said Sherburn ought to be lynched. In about a minute everybody was saying it; so away they went, mad and yelling, and snatching down every clothes-line they come to do the hanging with.
They swarmed up towards Sherburn's house, awhooping and raging like Injuns, and everything had to clear the way or get run over and tromped to mush, and it was awful to see. Children was heeling it ahead of the mob, screaming and trying to get out of the way; and every window along the road was full of women's heads, and there was nigger boys in every tree, and bucks and wenches looking over every fence; and as soon as the mob would get nearly to them they would break and skaddle back out of reach. Lots of the women and girls was crying and taking on, scared most to death.
They swarmed up in front of Sherburn's palings as thick as they could jam together, and you couldn't hear yourself think for the noise. It was a little twenty-foot yard. Some sung out "Tear down the fence! Tear down the fence!" Then there was a racket of ripping and tearing and smashing, and down she goes, and the front wall of the crowd begins to roll in like a wave.
Just then Sherburn steps out on to the roof of his little front porch, with a double-barrel gun in his hand, and takes his stand, perfectly calm and deliberate, not saying a word. The racket stopped, and the wave sucked back.
Sherburn never said a word - just stood there, looking down. The stillness was awful creepy and uncomfortable. Sherburn run his eye slow along the crowd; and wherever it struck the people tried a little to outgaze him, but they couldn't; they dropped their eyes and looked sneaky. Then pretty soon Sherburn sort of laughed; not the pleasant kind, but the kind that makes you feel like when you are eating bread that's got sand in it.
Then he says, slow and scornful:
"The idea of YOU lynching anybody! It's amusing. The idea of you thinking you had pluck enough to lynch a MAN! Because you're brave enough to tar and feather a poor friendless cast-out women that come along here, did that make you think you had grit enough to lay your hands on a MAN? Why, a MAN'S safe in the hands of ten thousand of your kind - as long as it's daytime and you're not behind him.
"Do I know you? I know you clear through was born and raised in the South, and I've lived in the North; so I know the average all around. The average man's a coward. In the North he lets anybody walk over him that wants to, and goes home and prays for a humble spirit to bear it. In the South one man all by himself, has stopped a stage full of men in the daytime, and robbed the lot. Your newspapers call you a brave people so much that you think you are braver than any other people - whereas you're just AS brave, and no braver. Why don't your juries hang murderers? Because they're afraid the man's friends will shoot them in the back, in the dark - and it's just what they WOULD do.
"So they always acquit; and then a MAN goes in the night, with a hundred masked cowards at his back and lynches the rascal. Your mistake is, that you didn't bring a man with you; that's one mistake, and the other is that you didn't come in the dark and fetch your masks. You brought PART of a man - Buck Harkness, there - and if you hadn't had him to start you, you'd a taken it out in blowing.
"You didn't want to come. The average man don't like trouble and danger. YOU don't like trouble and danger. But if only HALF a man - like Buck Harkness, there - shouts 'Lynch him! Lynch him!' you're afraid to back down - afraid you'll be found out to be what you are - COWARDS - and so you raise a yell, and hang yourselves on to that half-a-man's coat tail, and come raging up here, swearing what big things you're going to do. The pitifulest thing out is a mob; that's what an army is - a mob; they don't fight with courage that's born in them, but with courage that's borrowed from their mass, and from their officers. But a mob without any MAN at the head of it is BENEATH pitifulness. Now the thing for YOU to do is to droop your tails and go home and crawl in a hole. If any real lynching's going to be done it will be done in the dark, Southern fashion; and when they come they'll bring their masks, and fetch a MAN along. Now LEAVE - and take your half-a-man with you" - tossing his gun up across his left arm and cocking it when he says this.
The crowd washed back sudden, and then broke all apart, and went tearing off every which way, and Buck Harkness he heeled it after them, looking tolerable cheap. I could a stayed if I wanted to, but I didn't want to.
Bricksville provided Huck with another episode of Arkansas gone wild when an Arkansas mob heads for a cemetery on a treasure hunt.
. . . the lawyer he jumps on the table and yells, and says:
"Gentlemen - gentleMEN! Hear me just a word - just a SINGLE word - if you PLEASE! There's one way yet - let's go and dig up the corpse and look."
That took them.
"Hooray!" they all shouted, and was starting right off; but the lawyer and the doctor sung out:
"Hold on, hold on! Collar all these four men and the boy, and fetch THEM along, too!"
"We'll do it!" they all shouted; "and if we don't find them marks we'll lynch the whole gang!"
I WAS scared, now, I tell you. But there warn't no getting away, you know. They gripped us all, and marched us right along, straight for the graveyard, which was a mile and a half down the river, and the whole town at our heels, for we made noise enough, and it was only nine in the evening.
As we went by our house I wished I hadn't sent Mary Jane out of town; because now if I could tip her the wink she'd light out and save me, and blow on our dead-beats.
Well, we swarmed along down the river road, just carrying on like wildcats; and to make it more scary the sky was darking up, and the lightning beginning to wink and flitter, and the wind to shiver amongst the leaves. This was the most awful trouble and most dangersome I ever was in; and I was kinder stunned; everything was going so different from what I had allowed for; stead of being fixed so I could take my own time if I wanted to, and see all the fun, and have Mary Jane at my back to save me and set me free when the close-fit come, here was nothing in the world betwixt me and sudden death but just them tattoo-marks. If they didn't find them -
I couldn't bear to think about it; and yet, somehow, I couldn't think about nothing else. It got darker and darker, and it was a beautiful time to give the crowd the slip; but that big husky had me by the wrist - Hines - and a body might as well try to give Goliar the slip. He dragged me right along, he was so excited, and I had to run to keep up.
When they got there they swarmed into the graveyard and washed over it like an overflow. And when they got to the grave they found they had about a hundred times as many shovels as they wanted, but nobody hadn't thought to fetch a lantern. But they sailed into digging anyway by the flicker of the lightning, and sent a man to the nearest house, a half a mile off, to borrow one.
So they dug and dug like everything; and it got awful dark, and the rain started, and the wind swished and swushed along, and the lightning come brisker and brisker, and the thunder boomed; but them people never took no notice of it, they was so full of this business; and one minute you could see everything and every face in that big crowd, and the shovelfuls of dirt sailing up out of the grave, and the next second the dark wiped it all out, and you couldn't see nothing at all.
At last they got out the coffin and begun to unscrew the lid, and then such another crowding and shouldering and shoving as there was, to scrouge in and get a sight, you never see; and in the dark, that way, it was awful. Hines he hurt my wrist dreadful pulling and tugging so, and I reckon he clean forgot I was in the world, he was so excited and panting.
All of a sudden the lightning let go a perfect sluice of white glare, and somebody sings out:
"By the living jingo, here's the bag of gold on his breast!"
Hines let out a whoop, like everybody else, and dropped my wrist and give a big surge to bust his way in and get a look, and the way I lit out and shinned for the road in the dark there ain't nobody can tell.
I had the road all to myself, and I fairly flew - leastways, I had it all to myself except the solid dark, and the now-and-then glares, and the buzzing of the rain, and the thrashing of the wind, and the splitting of the thunder; and sure as you are born I did clip it along!
Snipe hunting is an American tradition, but in Tom Sawyer, Detective, Twain introduces us to Arkansas's peculiar version of it.
"Well, me and Tom allowed we would come along afoot and take a smell of the woods, and we run across Lem Beebe and Jim Lane, and they asked us to go with them blackberrying to-night, and said they could borrow Jubiter Dunlap's dog, because he had told them just that minute - "
"Where did they see him?" says the old man; and when I looked up to see how HE come to take an intrust in a little thing like that, his eyes was just burning into me, he was that eager. It surprised me so it kind of throwed me off, but I pulled myself together again and says:
"It was when he was spading up some ground along with you, towards sundown or along there."
He only said, "Um," in a kind of a disappointed way, and didn't take no more intrust. So I went on. I says:
"Well, then, as I was a-saying - "
"That'll do, you needn't go no furder." It was Aunt Sally. She was boring right into me with her eyes, and very indignant. "Huck Finn," she says, "how'd them men come to talk about going a-black- berrying in September - in THIS region?"
I see I had slipped up, and I couldn't say a word. She waited, still a-gazing at me, then she says:
"And how'd they come to strike that idiot idea of going a-blackberrying in the night?"
"Well, m'm, they - er - they told us they had a lantern, and - "
"Oh, SHET up - do! Looky here; what was they going to do with a dog? - hunt blackberries with it?"
"I think, m'm, they - "
"Now, Tom Sawyer, what kind of a lie are you fixing YOUR mouth to contribit to this mess of rubbage? Speak out - and I warn you before you begin, that I don't believe a word of it. You and Huck's been up to something you no business to - I know it perfectly well; I know you, BOTH of you. Now you explain that dog, and them blackberries, and the lantern, and the rest of that rot - and mind you talk as straight as a string - do you hear?"
Tom he looked considerable hurt, and says, very dignified:
"It is a pity if Huck is to be talked to that way, just for making a little bit of a mistake that anybody could make."
"What mistake has he made?"
"Why, only the mistake of saying blackberries when of course he meant strawberries."
"Tom Sawyer, I lay if you aggravate me a little more, I'll - "
"Aunt Sally, without knowing it - and of course without intending it - you are in the wrong. If you'd 'a' studied natural history the way you ought, you would know that all over the world except just here in Arkansaw they ALWAYS hunt strawberries with a dog - and a lantern - "
Being a river boatman, Twain easily identified with Arkansas features along the Mississippi River. In Life on the Mississippi, he mentions two such properties - Islands 74 and 92.
In regard to Island 74, which is situated not far from the former Napoleon, a freak of the river here has sorely perplexed the laws of men and made them a vanity and a jest. When the State of Arkansas was chartered, she controlled 'to the center of the river' - a most unstable line. The State of Mississippi claimed 'to the channel' - another shifty and unstable line. No. 74 belonged to Arkansas. By and by a cut-off threw this big island out of Arkansas, and yet not within Mississippi. 'Middle of the river' on one side of it, 'channel' on the other. That is as I understand the problem. Whether I have got the details right or wrong, this FACT remains: that here is this big and exceedingly valuable island of four thousand acres, thrust out in the cold, and belonging to neither the one State nor the other; paying taxes to neither, owing allegiance to neither. One man owns the whole island, and of right is 'the man without a country.'
Island 92 belongs to Arkansas. The river moved it over and joined it to Mississippi. A chap established a whiskey shop there, without a Mississippi license, and enriched himself upon Mississippi custom under Arkansas protection (where no license was in those days required).
Arkansas had a dark side as well and Twain also wrote of it. In Pudd'nhead Wilson, written in 1894 and one of Twain's last and darkest novels, he recalled that Arkansas is mostly represented as "down the river." In the slang of the day, "up the river" meant going to more urban and civilized places such as Missouri where the work wasn't so hard for slaves. "Down the river" was to places like Arkansas where along with the back-breaking, hot work of cotton farming, there was plenty of other tasks such as clearing land for new cotton fields and other seemingly endless labors. It wouldn't be unknown for a trip down the river to be a death sentence for someone not in the best of health and strong.
[When slaves found from their owners they were not to be sold down the river] the culprits flung themselves prone, in an ecstasy of gratitude, and kissed his feet, declaring that they would never forget his goodness and never cease to pray for him as long as they lived. They were sincere, for like God he had stretched forth his mighty hand and closed the gates of hell against them. He knew, himself, that he had done a noble and gracious thing, and he was privately well pleased with his magnamanity; and that night he set the incident down in his diary, so that his son might read it in after years and be thereby moved to deeds of gentleness and humanity himself."
In Pudd'nhead Wilson, the main character, who is considered to be white, sells his Negro mother.
Tom forged a bill of sale and sold him mother to an Arkansas cotton planter for a trifle over six hundred dollars. He did not want to commit this treachery, but luck threw the man in his way, and this saved him the necessity of going up-country to hunt up a purchaser, with the added risk of having to answer a lot of questions, whereas this planter was so pleased with Roxy that he asked next to none at all. Besides, the planter insisted that Roxy wouldn't know where she was, at first, and that by the time she found out she would already have been contented.
When his mother, Roxy, escapes she returns to Missouri where her son is living the easy life and confronts him.
Sell a pusson down de river - down de river! - for de bes'! I wouldn't treat a dog so! I is all broke down en wore out, now, en so I reckon ot ain't in me to storm aroun' no mo,' like I used to when I 'uz trompled on en 'bused. I don't know - but maybe it's so. Leastways, I's suffered so much dat mourin' seem to come mo' handy to me now den stormin.'
Mark Twain's Arkansas was a tough place to live. The land was sun-baked and the river an unfathomable living thing that'd as soon flood you out and wash you away as look at you. Then, as Twain mentioned in Life on the Mississippi, there were the mosquitoes.
A Mr. H. furnished some minor details of fact concerning this region which I would have hesitated to believe if I had not known him to be a steamboat mate. He was a passenger of ours, a resident of Arkansas City, and bound to Vicksburg to join his boat, a little Sunflower packet. He was an austere man, and had the reputation of being singularly unworldly, for a riverman. Among other things, he said that Arkansas had been injured and kept back by generations of exaggerations concerning the mosquitoes here. One may smile, said he, and turn the matter off as being a small thing; but when you come to look at the effects produced, in the way of discouragement of immigration, and diminished values of property, it was quite the opposite of a small thing, or thing in any wise to be coughed down or sneered at. These mosquitoes had been persistently represented as being formidable and lawless; whereas 'the truth is, they are feeble, insignificant in size, diffident to a fault, sensitive' - and so on, and so on; you would have supposed he was talking about his family. But if he was soft on the Arkansas mosquitoes, he was hard enough on the mosquitoes of Lake Providence to make up for it - 'those Lake Providence colossi,' as he finely called them. He said that two of them could whip a dog, and that four of them could hold a man down; and except help come, they would kill him - 'butcher him,' as he expressed it. Referred in a sort of casual way - and yet significant way - to 'the fact that the life policy in its simplest form is unknown in Lake Providence - they take out a mosquito policy besides.' He told many remarkable things about those lawless insects. Among others, said he had seen them try to vote. Noticing that this statement seemed to be a good deal of a strain on us, he modified it a little: said he might have been mistaken, as to that particular, but knew he had seen them around the polls 'canvassing.'
Moving millions of bales of cotton up and down the rivers from farm to collection points to markets was a main stay for steamships such as those Twain worked on as a pilot. So it was natural that he would be interested in the landside working of the cotton trade. In Life on the Mississippi, he discusses the business practices of Chicot County's Calhoun Land Company.
There was much talk on the boat about the Calhoun Land Company, an enterprise which is expected to work wholesome results. Colonel Calhoun, a grandson of the statesman, went to Boston and formed a syndicate which purchased a large tract of land on the river, in Chicot County, Arkansas - some ten thousand acres - for cotton-growing. The purpose is to work on a cash basis: buy at first hands, and handle their own product; supply their negro laborers with provisions and necessaries at a trifling profit, say 8 or 10 per cent.; furnish them comfortable quarters, etc., and encourage them to save money and remain on the place. If this proves a financial success, as seems quite certain, they propose to establish a banking-house in Greenville, and lend money at an unburdensome rate of interest - 6 per cent. is spoken of.
After business, crime was probably the next thing on people's minds when they thought of Arkansas. Stories about Murel's Gang, a highly-organized group of river pirates, among other things, caught Twain's attention and he wrote about them in Life On The Mississippi.
There is a tradition that Island 37 was one of the principal abiding-places of the once
Celebrated "Murel's Gang." This was a colossal combination of robbers, horse-thieves,
negro-stealers, and counterfeiters, engaged in business along the river some fifty or sixty years ago. While our journey across the country toward St. Louis was in progress we had had no end of Jesse James and his stirring history; for he had just been assassinated by an agent of the Governor of Missouri, and was in consequence occupying a good deal of space in the newspapers. Cheap histories of him were for sale by train-boys. According to these, he was the most marvelous creature of his kind that had ever existed.
It was a mistake. Murel was his equal in boldness, in pluck, in rapacity; in cruelty, brutality, heartlessness, treachery, and in general and comprehensive vileness and shamelessness; and very much his superior in some larger aspects. James was a retail rascal; Murel, wholesale. James's modest genius dreamed of no loftier flight than the planning of raids upon cars, coaches, and country banks. Murel projected Negro insurrections and the capture of New Orleans; and furthermore, on occasion, this Murel could go into a pulpit and edify the congregation. What are James and his half-dozen vulgar rascals compared with this stately old-time criminal, with his sermons, his meditated insurrections and city-captures, and his majestic following of ten hundred men, sworn to do his evil will!
Here is a paragraph or two concerning this big operator, from a now forgotten book which was published half a century ago:
He appears to have been a most dexterous as well as consummate villain. When he traveled, his usual disguise was that of an itinerant preacher; and it is said that his discourses were very "soul-moving" - interesting the hearers so much that they forgot
to look after their horses, which were carried away by his confederates while he was
preaching. But the stealing of horses in one state, and selling them in another, was but a small portion of their business; the most lucrative was the enticing slaves to run away from their masters that they might sell them in another quarter. This was arranged as follows: they would tell a negro that if he would run away from his master, and allow them to sell him, he should receive a portion of the money paid for him, and that upon his return to them a second time they would send him to a free state, where he would be safe.
The poor wretches complied with this request, hoping to obtain money and freedom; they would be sold to another master, and run away again to their employers; sometimes they would be sold in this manner three or four times, until they had realized three or four thousand dollars by them; but as, after this, there was fear of detection, the usual custom was to get rid of the only witness that could be produced against them, which was the negro himself, by murdering him and throwing his body into the Mississippi. Even if it was established that they had stolen a Negro, before he was murdered, they were always prepared to evade punishment; for they concealed the negro who had run away until he was advertised and a reward offered to any man who would catch him.
An advertisement of this kind warrants the person to take the property, if found. And then the negro becomes a property in trust; when, therefore, they sold the negro, it only became a breach of trust, not stealing; and for a breach of trust the owner of the property can only have redress by a civil action, which was useless, as the damages were never paid. It may be inquired how it was that Murel escaped Lynch law under such circumstances. This will be easily understood when it is stated that he had more than a thousand sworn confederates, all ready at a moment's notice to support any of the gang who might be in trouble. The names of all the principal confederates of Murel were obtained from himself, in a manner which I shall presently explain. The gang was composed of two classes: The Heads or Council, as they were called, who planned and concerted, but seldom acted; they amounted to about four hundred.
The other class were the active agents, and were termed strikers, and amounted to about six hundred and fifty. These were the tools in the hands of the others; they ran all the risk, and received but a small portion of the money; they were in the power of the leaders of th
Published by thomas jordon
Freelance writer/researcher living in Northwest Arkansas with experience writing fiction, non-fiction and screenplays. Have a strong interest in the American Civil War as it played out west of the Mississipp... View profile
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