Movie Death Scenes that Make an Impression

Valerie Ferrari
We're so used to seeing people die in movies and TV that we barely blink an eye when a movie or television character gets killed off nowadays and there really aren't that many where we have much sympathy for the deceased . Screenwriters and directors don't have an easy task trying to come up with ways to kill off characters that people will even remember. Just about every possible theme has been used and reused, from mercy killing to senseless random death, but there are still some movies that have managed to put a different twist on a familiar theme and incorporate some detail that a least merits notice if not sympathy. In this list, there are spoilers, of course, but I have bolded the titles so you can easily skip over movies you haven't seen yet.

Scarface (1983) - Possessiveness. Just about everybody dies in Scarface. Tony Montana's last stand and last words: "Say hello to my little friend" continue to be a sensational "go out in a blaze of glory" death scene, but what about Tony Montana's best friend and sidekick, Manolo "Manny" Ribera? Shoot first, ask questions later. That's how it goes down when a coked up Tony chases down the man his mother tells him is shacked up with sister, Gina. Only they weren't shacked up, they just got married, as a tearful Gina tells her brother before being hustled off to his mansion. There, a half-crazed and half-naked Gina wanders in and confronts Tony over his insane possessiveness, which she perceives as incestuous. She intends to kill Tony while he is busy snorting enough cocaine to deal with Sosa's men. But the assassins have already infiltrated the grounds and ruthlessly kill Gina. The sister plot was taken straight from the original Scarface (1932). Ann Dvorak played Francesca "Cesca" Camonte who married Guino (George Raft), the henchman of her Al Capone-like-brother, Tony Camonte. Whether incestuous desire or an insane need to have one woman on a pedestal untouched by the brutal world the Tonys lived in, Gina/Cesca would not have been at the final showdown if not for uncontrollable possessiveness. Sympathy Factor: Low for either Tony or his thugs, Guino and Manolo because they would presumably die violently anyway. High for Gina and Cesca. Some people felt Tony would not have murdered the sister's husband if he knew they'd gotten married so she would have lived.

Little Shop of Horrors (1986) - Accidental: Steve Martin's portrayal of crazy, abusive dentist Orin "I am your dentist" Scrivello is a highlight of this 1986 musical and so is his death. Rick Moranis plays love-struck nerdy floral assistant Seymour Krelbourn works with and loves Scrivello's ditsy girlfriend, Audrey (Ellen Greene). Audrey's self-esteem issues prevent her from choosing Seymour over Orin: "I know Seymour's the greatest, but I'm dating a semi-sadist." Seymour works up the nerve to kill Orin Scrivello not just because his instigating giant Venus flytrap plant, Audrey II (voice of Levi Stubbs) needs human blood to survive, but also because he agrees with the plant's hypothesis: "some folks deserve to die." But just as Seymour takes out a gun and aims it at the nutty dentist, Scrivello gets tangled up with his laughing gas mask and asphyxiates. Seymour didn't kill him but he does chop Orin up and feed him to Audrey II. Sympathy factor: So low. Scrivello was a comical loony caricature. Even his sadism in the dental office was laughable, especially when Bill Murray appeared as a masochistic patient. But his physical abuse of Audrey made us agree with the plant.

Fargo (1996) - Stupidity: Speaking of getting chopped up, it was no accident when Steve Buscemi ended up in the woodchipper in this dark comedy. Buscemi sure gets himself killed off in a lot of movies and even on TV. Usually, he gets shot. In Fargo, he plays bungling kidnapper Carl Showalter, who has teamed up with psycho boy, Gaear Grimsrud (Peter Stormare), to pull off a ransom demand being made to the wealthy father of the victim. They were hired by the victim's husband and everything just goes wrong for all three, while the very pregnant but unflappable detective, Marge Gunderson (Frances McDormand) tracks them down. Carl has little patience with his close-mouthed big ox partner-in-crime, whom he obviously didn't vet very well. Perhaps he might not have ended in the wood chipper with his socks still on if he picked a smaller partner who wasn't so handy with an axe. Ya. Sympathy Factor: None. Nobody likes a stupid crook.

Full Metal Jacket (1987) - Psychotic Breakdown: - Vincent D'Onofrio plays Marine Pvt. Pyle, a casualty of boot camp because he is clearly unfit for military life. The constant abuse of Gunnery Sergeant Hartman (R. Lee Ermey) is bad enough, but when the overweight and hungry Pvt. Pyle hides a jelly doughnut in his footlocker, the drill instructor punishes everybody else and makes Pyle eat the doughnut. In retaliation, his fellow trainees beat him with soap wrapped in towels. As his mental health deteriorates, Pyle begins to excel at the shooting range, and is complimented on his progress by Hartman, who is not seeing any signs of instability. After Pyle is accepted into Gunnery Sergeant Hartman's "beloved corp," he is found in the latrine, loading his weapon 'Charlene" with a "762 millimeter, full metal jacket," by Pvt. Joker (Matthew Modine). The ensuing commotion wakes up Hartman who never misses a beat with his non-stop verbal abuse. His last words are: "What is your major malfunction, numbnuts? Didn't mommy and daddy show you enough attention when you were a child?" It makes you uneasy when you realize the drill instructor helped train his murderer to be a killing machine. Sympathy Factor: None for the Gunnery Sergeant. Since I'm a die-hard Vincent D'Onofrio fan, I'll leave the verdict on Pvt. Pyle to you.

Reservoir Dogs (1992) - Betrayal: Just about everybody died in this gory flick yet people have always talked about the "Like a Virgin" and tip discussions at the diner more than the death scenes. Still, we have a new twist on the fate of the undercover and the theme of betrayal. Usually when someone is undercover, that person survives because he's a good guy and we don't like to kill off the good guys too much. When Mr. Orange (Tim Roth) tells Mr. White (Harvey Keitel) that he is a narc, he is dying in Mr. White's arms. Mr. White is holding the police at bay with his own weapon while they have guns trained on him. Mr. White really cared about Mr. Orange, which in some strange way, made him more human than even Mr. Orange. This bombshell just devastates Mr. White who kills Mr. Orange and then the cops kill him. It's true that Mr. Orange was already dying, but the scriptwriters could have managed to pluck him out while still killing off Mr. White, and have him make a miraculous recovery. We've seen weirder recoveries . Sympathy Factor: It depends on whether it makes you happy or mad that the Mr. Orange let Mr. White believe they were friends.

If I missed the death scene you remember most from a movie, it's possible I didn't see it but it's equally possible I didn't blink an eye when I did!

Sources: IMDB and Wikipedia

Published by Valerie Ferrari - Featured Contributor in Arts & Entertainment

In addition to being a Y!CN Featured Entertainment Contributor, I run a classic poetry site and am the webmaster for several online entertainment businesses. Email me at info@vjwebs.com  View profile

8 Comments

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  • Jennifer Bove4/24/2010

    great picks!

  • Anthony Ventre4/13/2010

    Good film pics. The woman who played the police chief was precious, accent and all. Scarface was great, too..."first you getta' da' money, den you getta' the..." whatever....:) I wasn't crazy about Reservoir Dogs b/c it seemed too self-conscious or something (FWIW)...:)

  • Pearl Grace4/12/2010

    Fascinating topic. I loved the movie, Fargo. I've seen in 20 times and will probably watch it at least 20 more before I die!

  • Susan Jane4/12/2010

    Great list - but I haven't seen all of these movies.

  • Rick Soisson4/12/2010

    Good choices...oddly, though, I felt some sympathy for Carl Showalter. (Is one supposed to immediately diagnose every closed-mouth guy as a total sociopath?) I also liked the outrage he demonstrated when shot in the face by the kidnap victim's father-in-law (no sympathy for him, however - a pushy, "superior" bastid).

  • Linda Louise Johnson4/12/2010

    Valerie, you certainly know your movies. I agree that we have been so desensitized to death scenes, it's difficult to be moved by them.

  • Mark Hudziak4/12/2010

    Great analysis of these scenes, Valerie. For something low on the gore scale but very moving, take a look at Edward G. Robinson's death scene in Soylent Green (1973). It was Robinson's last film.

  • Jack Aiello4/12/2010

    Val, this was a blast to read. I'm a big D'Onofrio fan too, and I think had Kubrick humanized Pyle a little more, I would have had more sympathy for his suicide. Instead, I felt Kubrick was going for the bigger message as you stated. The military turns men into killing machines, and therefore, you shouldn't have any sympathy when they accomplish what they were set out to do. My most moving death scene was not a death as much as it was a melting: http://www.associatedcontent.com/article/2486268/the_snowman_cometh_a_review_of_raymond.html?cat=40

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