Keats acknowledges the permanence of nature and all things natural. He comments that the nightingale's song is immortal and transcends time and place. He states: "Thou wast not born for death, immortal bird" (61). The speaker is tempted to forsake the world he lives in for the idyllic world of nature that the nightingale belongs to. He longs for the freedom from earthly burdens and afflictions. His only escape is through the song of the nightingale and in the mind of the speaker, death is the only way to join the nightingale. However, he realizes that in death, he would be unable to hear the nightingale's song. He knows that when he dies, his life is over. And although the speaker has connected with the nightingale and feels as if they are one, he knows that there will be other nightingales. It is this realization that ends the debate for Keats: "it is with this contemplation that Keats ultimately recoils from, and realizes the futility of the temptation..." (Moorehead). In the end, the nightingale flies away and the speaker questions whether or not the encounter with the nightingale really occurred or was a dream. In either case, the speaker's, albeit brief, encounter with the nightingale provides an escape from his problems. However, he is quickly brought back to reality with no lasting healing encounter. His connection to the nightingale symbolizes escape from the pain he suffers. Through this brief union, the speaker is able to connect with nature and discovers his position in relation to the nightingale and the rest of the natural world.
Sources:
John Keats. "Ode to a Nightengale." http://www.bartleby.com/101/624.html
Michael Morehead. "Keats 'Ode to a Nightingale' and Hardy's 'The Oxen." Expilcator.
Published by Kimberly Renee
Kimberly Renee is a future PhD with research interest in popular culture, African-American and women's literature. She is also a bibliophile, blog junkie, and music lover. View profile
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