Characters in Norma
- Norma, High Priestess of the Druids (Soprano)
- Oroveso, the Archdruid, her father (Bass)
- Pollione, Roman Proconsul in Gaul (Tenor)
- Clotilda, Norma's confidante (Soprano or mezzo-soprano)
- Adalgisa, a temple virgin (Contralto)
- Flavio, a centurion (Tenor)
Synopsis of Norma
The story takes place around 50 BC, in Roman-occupied Gaul.
Act I
Scene 1-The Forest at Night
The Druids gather before the sacred tree of Irminsul. Oroveso plans an uprising against the Romans.
After the Druids leave, Pollione enters with Flavio. He reveals that, although Norma has broken her vows of chastity, become his lover, and borne him two children, he has abandoned her for the temple virgin Adalgisa.
The Druids gather again, and Norma warns them not to rise against Rome, for it will surely destroy itself soon. She prays to the moon goddess for peace (Casta diva). But the crowd wants war, and as they cry out for blood she sings of her secret love for Pollione.
Adalgisa prays for help, but Pollione manages to catch her alone and convince her to run away to Rome with him.
Scene 2-Norma's Home
Norma confesses to Clotilda that she hates her children, because they remind her of Pollione and she fears that he will abandon her.
Adalgisa confesses that she has fallen in love. Norma, sympathetic to her plight, agrees to release her from her vows, but soon realizes that her lover is Pollione. Norma curses Pollione, and Adalgisa leaves him out of remorse and fear.
Act II
Scene 1-Norma's Home at Night
Enraged, Norma resolves to kill her children, but cannot bring herself to do the deed. Instead, she decides to kill herself and leave the children to Adalgisa, whom she asks to marry Pollione and take care of them.
Scene 2-The Forest
The crowd again cries for blood, but this time it is Oroveso who begs them to wait and Norma who riles them up.
Clotilda reveals that Pollione has been found in the priestesses' quarters, and the crowd demands his immediate execution. Norma offers him life with Adalgisa, but he rejects it. Finally, she reveals herself as a priestess unfaithful to her vows, and the lovers are burned together.
Sources:
- Kobbé, Gustav. The Complete Opera Book. New York and London: G.P. Putnam's Sons, 1919.
- Simon, Henry W. 100 Great Operas and Their Stories. Garden City: Dolphin, 1960.
Published by Amelia Hill
Amelia Hill is a freelance writer who enjoys writing about opera, cooking, and vampire lore and fiction. View profile
- The History of OperaThis paper discusses the history and various influences of opera.
- Enjoying Opera: Getting the Most Out of an Operatic PerformanceIf you've never listened to an opera before - perhaps because it seems intimidating - but you'd like to, here are a few tips for you.
- Marilyn Horne: A Tribute to the Great Mezzo-SopranoA tribute to the great American mezzo-soprano opera singer Marilyn Horne. She ushered in the current golden age that we shouldn't miss!
- Marilyn Horne: The Song Continues: Book Review The American opera diva Marilyn Horne is a forceful personality who tells it like it is in this memoir. Sometimes she tells more than I'd care to hear, but the way she tells it makes that forgivable.
Smorg's 10 Romantic Opera Arias for St. Valentine's DaySmorg's picks of 10 flirtative and/or erotic operatic songs to warm up the stereo on St. Valentine's Day... and beyond.
- Discovering the Opera of the Classical Period & the Bel Canto
- A Few Favorite Opera Arias & Duets for the Opera beginner
- Discovering Opera: 10 Works You Might Want to Start With.... Or Not
- Opera Guide and Synopsis: La Traviata, by Giuseppe Verdi
- Giovanni Paisiello's L'Osteria Di Marechiaro (1769): Classical Opera You'll Adore!
- Opera Guide and Synopsis: Elektra, by Richard Strauss
- Opera Beginners: Top 5 Operas to Get You Started

