Characters in Siegfried
- Siegfried, son of Siegmund and Sieglinde (Tenor)
- Mime, his guardian (Tenor)
- The Wanderer (Wotan), king of the gods in mortal disguise (Bass-baritone)
- Alberich, a Niebelung (Baritone)
- Fafner, a giant turned dragon (Bass)
- Erda, the earth goddess (Contralto)
- Brünnhilde, the chief of the Valkyrie (Soprano)
- The Bird (Soprano)
Between the end of Die Walkürie and the beginning of Siegfried, Sieglinde, Wotan's daughter with a mortal woman, has given birth to Siegfried, her son by her twin brother, Siegmund. Siegfried was raised by Mime, Alberich's brother, after Sieglinde died in childbirth. Fafner, the giant who received the Rheingold from the gods, has turned into a dragon and guards his gold. Mime, too weak to kill Fafner and recover the gold himself, wishes to train Siegfried to slay the dragon.
Synopsis of Siegfried
Act I
Mime works in his smithy. Siegfried returns with a bear to frighten Mime. He takes the sword Mime has made for him and shatters it. Siegfried demands to learn about his real parents, and Mime reveals that he found Siegfried's mother Sieglinde dying. Sieglinde gave him a broken sword, Nothung, which Siegfried's father had wielded in battle. Siegfried demands that Mime reforge the sword so that he can go off on his own.
The Wanderer (Wotan) wagers with Mime, offering to give up his head if he cannot answer three questions. Mime asks him three simple questions about the different races of beings. When the tables are turned, Mime cannot answer the Wanderer's final question: "Who can reforge the sword?" The answer, Wotan says, is that only a fearless person can reforge it, and that Mime's head is forfeit to that person. Siegfried returns and successfully reforges the sword.
Act II
Alberich waits outside Fafner's cave. He is unable to kill the dragon himself, but plans to kill whomever can take the ring from Fafner so he can steal the ring back for himself. Alberich warns Wotan that his oath prevents him from helping recover the ring from Fafner, but Wotan says that a hero has arisen who can take the ring back by his own power. Alberich warns Fafner that someone is coming for the ring and offers to take it away so that Fafner might live, but the dragon goes back to sleep.
Siegfried arrives and kills the dragon. He accidentally gets the dragon's blood on his mouth and is suddenly able to understand the language of birds. A bird tells him to take the dragon's powerful treasures, the ring and the Tarnhelm (the magic helmet).
Able to read Mime's mind and know that Mime is trying to poison him and steal the ring, Siegfried kills his guardian. The bird tells Siegfried of Brünnhilde, a beautiful woman in enchanted sleep, and Siegfried decides to rescue her.
Act III
Wotan goes to Erda for advice on the coming Twilight of the Gods. He concludes that Siegfried, knowing no fear, will be immune to Alberich's curse and will be able to redeem the world.
Siegfried arrives and faces Wotan, telling him how he forged the sword and killed the dragon. When Wotan tries to prevent him from rescuing Brünnhilde, Siegfried shatters Wotan's spear with Nothung. He goes through the fire and awakens Brünnhilde. She tells him of his history and how she cared for him before he was born.
Published by Amelia Hill
Amelia Hill is a freelance writer who enjoys writing about opera, cooking, and vampire lore and fiction. View profile
- The History of OperaThis paper discusses the history and various influences of opera.
- Chris Brown Back Together Again; Siegfried and Roy Return to the Stage with Montec...Chris Brown and Rihanna are reportedly back together again and hanging out in Miami; Roy returns to the stage with the tiger that mauled him; Kanye West and his new girl step out in LA.
- Opera for Beginners: A Fast Guide to Opera VocabularyThis fast guide to Opera vocabulary will have you spouting jargon like a seasoned impresario in no time, even if you've never heard the term "impresario" before! Read on to learn the basics of Opera vocabulary, from...
- Richard Wagner: The Man, the Myth, the LegendTo reveal to the reader how the politics, economics, religion, and society of the time of Wagner influenced him as a composer. More importantly, the aim is to emphasise how society, esp. the music world was in turn ch...
- Siegfried: The Tragic Hero in Wagner's The Ring of the NibelungThis paper analyzes the components of fate and how it affects the tragic hero Siegfried in Wagner's opera tetralogy, The Ring of the Nibelung.
- Discovering Opera: 10 Works You Might Want to Start With.... Or Not
- Classical Sources of Inspiration in J.R.R Tolkien's Lord of the Rings and Other Ep...
- Die Fledermaus at Lyric Opera in Chicago
- Berlin Opera Houses: An Embarrassment of Riches
- Sensational Opera Weekends in Sunny Sarasota
- Roger Waters' �a Ira Creates an Engaging Opera About the French Revolution
- Siegfried Kracauer: Film, Capitalism and the Art of Mass Audience Distraction



