Reconstructing Hollywood: Why so Many Remakes?
Half of the movies I've seen lately have been re-makes of old, sometimes obscure, classics. The only reason I know this is that, secretly, I scour the "classics" section of video stores and frequently check to see what's playing on TMC. I can't help it - to me, it seems that many movies from that long-ago era were just a lot better than some of the crap coming into theatres today.
Allow me to elaborate. Just recently, in August 2006, the new Disney movie The Shaggy Dog, starring Tim Allen in the title role, was released to video. This is a remake of a Disney movie. How sad is that, really? Over the years, Disney has produced an astounding number of fabulous theatrical releases. But lately, they just keep reaching into the vault and remaking all our old faves. Disney has also remade The Absentminded Professor,Herbie: The Love Bug, The Nutty Professor, and Dr. Doolittle in recent years. Write a new live-action script, guys. I mean, what's next, a remake of Chitty, Chitty, Bang, Bang?
Some remakes I've seen have been excellent, such as The Stepford Wives. Featuring a new ending that differs from the original, I thought this movie was quite well-done. Some movies, however, were done so perfectly the first time around it's hard to imagine they could ever be made better. Take, for instance, Planet of the Apes. Now, I loved the Charleton Heston version of that movie. When I heard that Mark Wahlberg was to be in the remake, I said, "Well, naturally. He has the face for it." Then I found out that he wasn't going to be playing an ape. Are you kidding me? Frankly, I miss Heston.
The Bad News Bears was also re-made, and while I don't dare dispute the acting talents of Billy Bob Thornton, let's face the fact that he's no Walter Matthau. Sorry, but I'm not interested. Today's DVD age makes it possible to bring any classic out of the closet, completely colorized, and enjoy it again. Why bother to remake perfection, I ask you?
The 39 Steps, for instance, a Hitchcock film. I'm completely averse to remaking any Hitchcock film, and I'll tell you why: it's Hitchcock! It's perfect. Leave it alone. Does anybody remember that tragedy of Psycho remake? 'Nuff said.
Other bone-chilling horror movies that have been or are being remade include When a Stranger Calls, The Omen, Creature from the Black Lagoon (yes, seriously), and Halloween. Of all these, it is Rob Zombie's remake of Halloween that I dispute the most. The original was created by a master of horror, John Carpenter, it stars Jamie Lee Curtis in one of her first leading roles, and it was bloody great! And you can still rent the original at any video store in the country.
Why so many remakes? Is Hollywood actually running out of ideas, or are they trying to bring old movies to a new generation? I have a better way to bring old movies to a new generation - open your film vault and digitally re-design your old film. Release it on DVD. We'll all rush to buy. You don't have to rush into remaking.
Published by KC Morgan
K. C. Morgan is a professional freelance writer, with articles and blog posts appearing on dozens of sites. View profile
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2 Comments
Post a CommentHollywood is out of ideas. They can't think of anything original, they can't tell a different story and they keep remaking classics into crap. This is the end for hollywood. They're out of gas.
KC-
The reasons for remakes are at once simple and complex. Let's start with the former...
Remakes can be lumped into the same category as "familiar teritory" much like a studio, when in development, will look to coverage and breakdowns of a script and tag it with easy to digest verbiage. Thus, "It's THELMA & LOUISE meets NATURAL BORN KILLERS". You get it.
The familiar category also extends to its sister category, names. Stars, first and foremost, then producers, directors, writers.
That last entry - writers - is yet another spin off. Because, for instance novelists are often approached for their movie rights, and even journalists (or their companies) for their stories.
I say all of this because the studio system is adverse to risk. It's not that they're (necessarily) conservative by nature (although that could very well be a part of it) but it's the economies of scale and the economic pressure that the system exerts on its producers.
This is because no