The College of Musical Arts at Bowling Green State University
A Superb Music Performance Graduate Program
Bowling Green, OH 43403-0001
From the beginning, BGSU was quick to respond to my inquiries and very helpful in setting up an audition time slot. I auditioned in the Spring 2003, and I was notified immediately of my acceptance. All of the criteria for the audition is explained in a mailing. It is different for each instrument. For voice, I believe I had to have a couple art songs in each main language (French, German, Italian and English) an opera aria, and an oratorio piece. A panel of vocal teachers observed my audition, and they were very warm and friendly. Honestly, it was not as intimidating as I thought it could be.
I decided to wait a year to attend graduate school after I learned of my acceptance because I felt I needed a break after my intense undergraduate program. In spring of 2004, I contacted BGSU again. I was relieved to learn that I did not need to re-audition; I had taught school for a year and was not thoroughly prepared for another audition. My correspondance with BGSU over the next few months was very adequate as I made arrangements to attend in the fall. The chair of the vocal department was able to offer me a graduate assistantship which was a huge financial blessing. The assistantship required that I teach music at a private school for 10 hours a week. In return, I my tuition fees were waived, and I received a stipend of about $400 every month.
The week before graduate school we were required to take classes in a program called GradStep. This program is intended to help incoming graduate students with their responsibilities of being a graduate assistant. I found the program very beneficial, and it was a great opportunity to meet other students as well. Also during the week, we were required to take the dreaded entrance exams into the music department. These were feared by most of the students. The exams were difficult, but BGSU had supplied study sheets for the students ahead of time. There were 2 tests covering music history and music theory. Because of the results of my exam scores, I was required to take some make-up classes. I know that is not comforting information, but the classes were very informational and helpful in my course of study. Also, during the first couple weeks, you are able to meet with an advisor to plan your schedule. The advisor will let you know what exactly you are required to take and some optional electives that will benefit your concentration.
The journey of the next 2 years at BGSU through graduate school was very rewarding. I found my instructors to be professional, intellectual, and sincere. Each class was very beneficial to me and added to the complete experience of my Master's program. In particular, my applied vocal teacher performed in Germany for 20 years and had taught at the university for over 10 years. His experience proved very valuable in my training. If he did not know an answer to a question, he would find it somewhere for me. I respected his position and ability and trusted his guidance and instruction.
Since my concentration was in vocal performance I was very interested in performing. I was very pleased with the opportunites that were given to students to perform in a public setting. I was able to perform 4 leading roles in the operas The Marriage of Figaro, Hansel and Gretel, The Magic Flute, and Little Red Riding Hood. Also, I participated in master classes with Marilyn Horne and Thomas Pasatieri, sang in seminars and concerts, and traveled with the Opera for Youth class. I believe I became a more confident performer as a result of the opportunities given.
In order to earn a Master's degree, you must give a recital and take an oral examination or write a thesis and be able to defend it. I chose the first option. My private vocal instructor thoroughly prepared me for the recital. When the time came to perform, I was confident and excited about the recital. The oral examinations are feared by ALL graduate students. However, before the big day comes, you are given the list of questions that you will be asked. So, you have ample time to prepare for the exam. I began lightly studying a couple months ahead of time, and then, spent quite a bit of time the final 2 weeks before orals. My studying proved to be adaquate, and I passed my first time. My panel of judges provided a relaxed setting which put me immmediately at ease. I remember feeling like I was going to be sick as I walked into the room. One of my panel members gave me a mint and that little action provided so much comfort.
After the recital and oral examination, I was ready for graduation. The crowning moment of my experience at BGSU was when I was asked to sing the alma mater and national anthem at the graduation ceremony. The journey through graduate school had been truly rewarding. I left feeling prepared to face the challenges before me in my career of performance.
Published by Monica Merrin
Currently, I am a freelance vocalist and work with the music, radio, and singles ministries at Monclova Road Baptist Church. I earned my Bachelor's Degree from Tennessee Temple University and my Master's De... View profile
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3 Comments
Post a Comment"The College of Musical Arts at Bowling Green State University
A Superb Music Performance Graduate Program." Hmmm. That may be, but the Music Composition program is absolutely terrible. I got a Master's Degree in Music Composition from BGSU, and I must say, it was a truly awful experience.
Avant-garde reigns supreme at BGSU. Anything else is not only discouraged but DISCRIMINATED against. If avant-garde is your aesthetic, then you just might love it here. They have cultivated an atmosphere that is nurturing and beneficial SOLELY to students whose aesthetic fit the faculty's aesthetic and ideology; anyone and everyone with a mind of their own who would fall out of the lock-step will have an exceedingly difficult and aggravating experience here. The narrow scope of the faculty's view of what New Music should be will become all too evident within a month of studying here. God help you if you want to do something besides avant-garde/experimentalism.
That being said, if you are interested in limiting yourself exclusively to avant-garde thought and do not want to even be exposed to anything else, then this is the perfect school for you as a composer. If you want a haven for experimentalism, if you love avant-garde but have been met with resistance or cynicism elsewhere and now you want to find a place of a sort of reverse-discrimination where you can flourish, then look no further, because BGSU is the place for you. If you compose primarily experimental or avant-garde music, electroacoustic or otherwise, then you will have an easy experience here but won't learn much else, and you CERTAINLY won't end up well-rounded in your musical knowledge.
If you don’t conform to their aesthetics and ideology, they will treat you like a second-class citizen. If you aren’t a sycophant, if you don't feed the egos of the self-interested faculty, you will have an exceedingly difficult time at this program. If you have an interest in film music, concert band music, anything pre-20th Century, or even tonal music in general, you will wish you had studied someplace else.
Ultimately, the music program at BGSU is entirely narcissistic. They have established a reputation as a leading voice of New Music, though only of the avant-garde persuasion. They will absolutely NOT allow anyone to besmirch that reputation by pursuing or promoting an aesthetic or style outside the narrow scope of the avant-garde. It is a fiercely dogmatic environment, and they work hard to keep it that way. You would do well to apply to another university.
Cool write up! :o) I'm guessing that you're a lyric soprano?
Monica - I am so glad that you wrote this! I am glad that you took the time to record that landmark experience and share with others. Keep up the great work!!!