The Rule of Four & Hypnerotomachia Poliphili - a Dual Review
Examinig the Book the "Hypnerotomachia Poliphili" Inside the Book "The Rule of Four"
Before The Rule of Four can be well reviewed, it is necessary to mention another work, the Hypnerotomachia Poliphili: The Strife of Love in a Dream. The HypnerotomachiaPoliphili has been attributed to many authors through the ages, but is most commonly thought to have been authored by Francesco Colonna, a priest of the Dominican Order at Treviso, Italy.
The Hypnerotomachia was published in Venice in 1499 and has captivated scholars for 500 years with its enigmatic tale of Poliphili's (lover of many things) love for the nymph Polia (many things). The bizarre text of the Hypnerotomachia incorporates many languages into a tale replete with Roman gods and goddesses, exquisite architecture, trysts with nymphs, as well as hidden messages. The Hypnerotomachia has been a mystery for many years on account of its questioned authorship, the unusual mix of languages, and the possible meanings behind the love story as well as the intricately descriptive architecture.
The Rule of Four by Ian Caldwell and Dustin Thomason, is a gripping fictitious perspective on the mystery of the Hypnerotomachia. Written by two former Princeton students, the book is a vivid depiction of Princeton life seen through the eyes of Tom Sullivan, whose father was ensnared by the Hypnerotomachia before his early death. Tom's best friend and roommate, Paul Harris, is equally beguiled by the antique manuscript and has determined to write his thesis on it.
What follows in The Rule of Four is a mystery within a puzzle, much like the Hypnerotomachia itself. The Rule of Four is richly textured with layers that must carefully be pulled back to reveal each new perspective. It is a complex love triangle that pins Tom between the mesmerizing lure of the Hypnerotomachia and his down-to-earth girlfriend, much like his father was torn between Tom's own mother and the book. The Rule of Four is a tale of obsession as men are murdered for the sake of the manuscript, and Paul like Colonna before, him stands ready to sacrifice almost anything for the secrets locked inside the text. As Paul deciphers codes and algorithms to uncover the secrets of the Hypnerotomachia, so the reader of The Rule of Four is led along circuitous paths, following unexpected twists and turns, doubling back before coming almost full circle to an ending that is as satisfying as it is virtually unexpected.
Brimming with Renaissance history, The Rule of Four takes a hard look at church doctrine during the 1490's when Savonarola, the evangelical preacher who brought a new revival to Florence, ushered in his most infamous legacy, the bonfire of the vanities. Colonna's message presents two views of Christianity at war with one another. At issue is the question: is faith the source of truth and beauty, or are truth and beauty only servants of faith?
Well worth reading, The Rule of Four is ultimately a revealing look at the dual nature of love. As Paul's father says, "Love is not supposed to be on your side. You fight with him; you try to undo what he does to others. But he's too powerful. No matter how much we suffer, Virgil says, our hardships cannot move him." The final lesson is learning not to fight it.
Published by Kathryn E. Darden
An author, poet, publisher, publicist & skincare consultant, I have written for publications including CCM Magazine, The Tennessean, Barbie Bazaar Magazine, Christian Activities & several local newspapers.... View profile
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9 Comments
Post a CommentI am currently reading the book and I find it absorbing. Makes me want to find out more about Colomni.
This sounds like a very good book. Well, two books: The Rule of Four and the Hypnerotomachia Poliphili both sound intriguing!
VERY well written... well done!! :)
;)
wow very cool sounds neat!
Sounds like a great book for a person with OCD!!!
Well-written review. Sounds fascinating.
Interesting. I may have to give this one a go - sounds like it's up my alley. Thanks Kathryn!
Fascinating stuff.