Moreover, the characters' identities form lines of kinship and alliance rare in today's society. Similarly to Beowulf's case, foreign warriors may visit other continents and kings, but their name serves as a means of recognition and negotiation. Despite the fact that the Danish king has never seen the adult Beowulf, he recognizes Beowulf's line by the name of his uncle and treats him like his own brother. Members of the old society seemed to have trusted bloodlines as indicators of trust; the Danish king did not know what Beowulf's true intentions may be, but did not hesitate to let the warrior into his kingdom upon hearing of his name and the greatness of his family.
On the other hand, unsuccessful or evil ancestors may doom a being into banishment because of his filthy bloodline, despite any actions that the individual may take. For example, the narrator presents Grendel, a descendant of Cain, as an evil, terrible, bloodthirsty being from the start of the poem. Even though the description is true, it is entirely possible that a noble being may come from a line of poor, unsuccessful peasants. In such a case, the individual's name will stand as the obstacle to success, as people would pay little attention to a member of a simply family with no history of fame, great deeds, or riches.
The theme of identity explores the way bloodlines and heritage change the views of all people. In today's society, the same may stand, as people often judge others by the families which reared them. Unlike those in the Middle Ages, however, people today view reputation as an individual quest based on individual actions, not family history and fame.
Published by I.Maslov
Writing and exploring anything from politics, news, current events, religion, history, or economics to literature and science. View profile
- Old English Literature and Communal IdentityIdentity was not of the individual, but of the community.
- "Separateness" in the Counterlife and Pillar of SaltAn analysis of the concept of separation in two works of Jewish literature.
- Use of Language in Shakespeare's Much Ado About NothingA paper on the language of commoners in Shakepeare's Much Ado About Nothing.
- Art in the Antelope Valley: 4<40 Four Antelope Valley Artists Under the Age of Forty4<40 is a thought provoking show featuring four young artists. The LM/AG is playing its part in helping to grow the new dynamic of the arts scene in the Antelope Valley. These four artists are doing their part as well. It's up to the audience to make it mean something.
- Symbolic Use of Light and Darkness in Edmund Spenser's The Faerie QueeneSpenser uses light and dark motifs to create a moral universe within his fictional Faerie Land.
- The Wanderer, The Seafarer, Beowulf and Anglo-Saxon Society
- The Theme and Use of Names and Naming in The Mistress of Spices
- The Theme of Identity in Maus by Art Spiegelman
- Authenticity and False Identity in Toni Morrison's Song of Solomon
- Understanding the Role of Identity in Urban Development
- The Scarlet Letter: Identity Versus Society Developed Through Symbolism
- The Theme of the Supernatural and Its Relation to Romance in Emily Bronte's Novel...

1 Comments
Post a Commentthank you SO much for posting this! it really helped me understand the poem better. you're awsome :)