Why this site isn't a cable channel by now I'm not sure but I'll bet it has something to do with Sumner Redstone. The Video Data Bank is the world leader in what could only be called experimental video by contemporary video artists.
By spending hours on the site, you can literally track the development of video used in art from the late 1960s right up to the present. Individuals and groups may directly order rentals or purchase many of the titles, searchable by title or artist. There are interviews with critics, artists, photographers and writers, such as George Kuchar's recent "The Celtic Crevasse," a 'tape' of summer months in NYC and Massachusetts juxtaposing the two.
The VDB also makes available Anthologies curated by guests curators with a long history in the biz. There are histories of video art, performance collections, gender themes, technology, feminism, to name but a few. Select a topic and chances are video artists have already dealt with it in seeming anonymity. Interested in Freud or Henry Ford? Check out "Sigmund Freud vs. Henry Ford," a little ditty about the relationship between our North American consumer society and psychoanalytic confessions. Would a little taste of body limitations stir your appetite? "Endurance" is an anthology about testing the physical, mental and spiritual endurance of the body.
There is a vast CD-ROM library including "Culture vs. The Martians" (1998) by Art Jones and interactive collection of videos, sounds, screensavers that explore our media saturated cultural landscape. Or perhaps you would like an interview with Allan Kaprow whose influential 1952 article, "The Legacy of Jackson Pollock," argued that the art-making activity should be separated from the art itself. His famous Happenings replaced the traditional concept of the artist-creator with one he called the "social occasion" - suggesting that the artwork was indistinguishable from "life." Some classic Allen Ginsberg? A dash of geodesic dome champion Buckminster Fuller? They got 'em.
The Video Data Bank's collection includes some 1200 titles by over 250 artists, and like I said, should be a cable channel. But we also like this underground secret just the way it is.
Published by John Fucile
Award-winning filmmmaker and media theorist. BA in Film from Ryerson Polytechnic University in Toronto and his M.A. in Media from The New School in New York City. Co-founder of SmackDabMedia; living in Nash... View profile
- Worcester Art Museum: Cultural Diamond in the Rough Despite its reputation as one of the shadier sides of New England, Worcester, Massachusetts' art museum is a truly top-notch cultural facility that should make any citizen of Worcester proud.
- Controversial Co-Dependents: Data Mining and Information Sharing The phrase "data mining" remains politically inflammatory. But how is it really being used in most of the government today and can it facilitate better information sharing?
- A Man Who Makes Data Plates for Antique Autos Jerry Turner makes generator, starter and distributor data plates for antique car and other antiques at his small company.
-
Advertising Irony: The Value of Human Edited Data for Internet Search Pl...
Anything a computer, or a program can do, can be done over and over again; But Google, Yahoo, MSN, and thousands others want to deliver to the user the MOST RELEVENT data, no th...
-
How to Backup Your Data Safely and Securely
A look at common data backup mistakes, and an analysis of some common methods of backup. With good habits and a little bit of cash, data loss is never necessary
- What You Need to Know About Remote Data Backup
- The Truth About Data Entry Jobs on the Internet
- What is Data Recovery?
- Top Five Data Backup Methods for Home Computer Users
- Data Recovery from RAID Devices
- 5 Things You Should Know About Data Recovery
- Data Feeds Are Best Used in Moderation as Content
|
|
- Henry Ford
- Jackson Pollack
- Art Jones