Rule number one is to always be teachable. Keep your ear to the ground when just starting out. Ask questions when you are unsure of anything. Even thought you may think your question may be dumb or not important, ask anyway. The one caveat is that if you have been told multiple times the same thing, don't ask again it will make things difficult for you. Just pay attention and everything will work out just fine. Back to the main thought, if you ask a question you will help the team stay on track. If you assume things can get really hairy and usually the blame will come to you for not being prepared. So make sure you know what you are doing, and what you director wants.
The second best piece of information I would suggest is to learn and know your gear. When you are on a shoot or in the middle of a shoot anything can happen. Be mindful of your equipment and how it works. There are people called engineers who are the lead guy to go to if something breaks or fails. But the little easy things you can fix you should learn. Know how to focus your camera. This a the basic cornerstone of being a camera operator. You might have the coolest shot, sweetest angle and perfect light. But if the main person in your shot is blurry then all your work was wasted.
So be mindful of your focus. After a while you will know if you are in focus or not, it just takes time. Your zoom control will be your next most important technique to master. Zooming in and out will be something every camera operator will do. Get used to the speed of the camera and how much pressure to apply to the zoom control. Other things to know would be back focus, gain, manual iris, and your viewfinder. I will cover these parts of the camera in a later article. Overall, be prepared, anticipate and practice. Most of these things will come with time and patience, but they will come.
Work out your shoulder and body. Being a hand held camera operator can take a lot of energy and focus. If you are running a camera from a tripod then this part of the article is not really for you. But if you move up to putting a camera on your shoulder and getting shots for your director, then be ready to move. Handhelds have the hardest job, but the biggest payoff. You have to lug a 30 pound or lighter camera on your shoulder for however long the shoot. However you can get some of the best shots and greatest accolades from your peers and bosses. So be in shape and build a strong shoulder.
Published by Jon Sugi
I'm a TV director and future film director. Writer and lover of multimedia in a fashions. View profile
- Digital Camera Tutorial: Your Digital Camera is More Capable Than You ThinkWithout getting too technical you can learn how to take a portrait photo with your digital point and shoot camera that will be worthy of showing off!
- Careers in Television and Video: What Employers Want in Camera OperatorsBefore entering this field as a camera operator, it might be helpful to know what an employer expects from a videographer. I am about to let you in on two little-known secrets of what this industry wants their camera...
Top Camera Bags Under $20This is a simple article highlighting five popular camera bags for small digital camera. Each camera bag mentioned costs less than $20 and can be found at one of the shops ment...
Kodak Easyshare Z740 Digital CameraI have been waiting a long time to own this camera. Now that I have one I am not disappointed. It is user friendly, durable and has tons of great features.- Travel with Your Nose and TongueIf you enjoy traveling and adventurous dining, you will love this trek around the global in search of unique delicacies. On the tiny island of Singapore, the totally unexciting chicken is transform into a succulent t...
- Becoming a Camera Operator
- Rotator Cuff Injuries- when You Can't Lift Your Shoulder
- Wanna Be a Multimedia Director?
- How to Protect Your Identity on the Internet
- How to Use Your Webcam as a Hidden Portable Spying Agent
- Catching a Ghost on Camera
- Product Review: Olympus Stylus 7.1 Megapixel Digital Camera


1 Comments
Post a CommentThe XL2 is a big improvement over the 50 lb. Ikegami, recorder and battery belt I had to haul around in the 1980s. Talk about a strong shoulder.