But as the introduction helped point out, it had two interesting angles for those whom film noir does not excite: as a portrayal of a man with psychosis, and of his pathological relationship with his mother. Ma Jarrett (Margaret Wycherly) holds her own amongst a gangster mob, and it is her words about her son which end the film. Cody Jarrett (James Cagney) has sought all his life to get her attention, bringing on wild stress related headaches. But another woman is also interesting: Cody's wife (Virginia Mayo), who's a chameleon of feigned loyalty and defencelessness.
The other key relationship is with undercover police officer (Edmond O'Brien), who is assigned as 'Vic Pardo' to be Jarrett's cellmate to win his trust and extract a confession of Cody's real crime, not the one he admits to as an alibi to escape a death sentence. Thus the film is about deceits as characters build and destroy relationships, with Pardo filling Cody's maternal shaped hole to gain the desired information, which ends in a tense climax.
Published by Elspeth R
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